Visual perception theory and instructional communication

1966 ◽  
Vol 14 (3) ◽  
pp. 301-317
Author(s):  
Kenneth Norberg
Keyword(s):  
Visual Perception ◽  
Instructional Communication ◽  
Perception Theory

scholarly journals Visual Center based on Visual Perception Theory in Responsive Web Grid

2017 ◽  
Vol null (56) ◽  
pp. 161-172
Author(s):  
Jong-hee Kim ◽  
LEE HWA SEI
Keyword(s):  
Visual Perception ◽  
Visual Center ◽  
Perception Theory

A Study of Digital Video Production based on the Gestalt Visual Perception Theory

2010 ◽  
Vol 10 (2) ◽  
pp. 117-126
Author(s):  
박주리 ◽  
KIMHyungGi ◽  
권향아
Keyword(s):  
Visual Perception ◽  
Digital Video ◽  
Video Production ◽  
Perception Theory

Visual perception: Theory and practice

1982 ◽  
Vol 25 (1) ◽  
pp. 82-86 ◽  
Author(s):  
John I Yellott ◽  
Albert Ahumada
Keyword(s):  
Visual Perception ◽  
Theory And Practice ◽  
Perception Theory

Bilingual representation of distance in visual-verbal sign systems: A case study of Guo Xi’s Early Spring

Semiotica ◽  
2018 ◽  
Vol 2018 (222) ◽  
pp. 47-80
Author(s):  
Chengzhi Jiang
Keyword(s):  
Visual Perception ◽  
Functional Model ◽  
Early Spring ◽  
Semantic Approach ◽  
Virtual Museums ◽  
Sign Systems ◽  
Perception Theory ◽  
Cognitive Semantic ◽  
Analytical Tools

AbstractThe purely cognitive semantic approach to verbal distance representation has recently been enriched from the perspective of visual perception theory. Focusing on visual pragmatic effects, the present paper will use distance cues as a set of analytical tools and adopt the cognitive-functional model proposed elsewhere to further explore the issue of visual-verbal coherence through Guo Xi’s Early Spring and the bilingual museum catalogue entries attached to it, in physical exhibitions or virtual museums, with a particular view to explaining how a linguistics- or stylistics-based analysis endorses the interpretation of a specific artwork on discursive and cultural levels.

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