scholarly journals Marcinkiewicz multipliers associated with the Kohn Laplacian on the Shilov boundary of the product domain in $$\mathbb {C}^{2n}$$

Author(s):  
Peng Chen ◽  
Michael G. Cowling ◽  
Guorong Hu ◽  
Ji Li
2005 ◽  
Vol 04 (06) ◽  
pp. 613-629 ◽  
Author(s):  
OLGA BERSHTEIN

In this paper a *-algebra of regular functions on the Shilov boundary S(𝔻) of bounded symmetric domain 𝔻 is constructed. The algebras of regular functions on S(𝔻) are described in terms of generators and relations for two particular series of bounded symmetric domains. Also, the degenerate principal series of quantum Harish–Chandra modules related to S(𝔻) = Un is investigated.


Author(s):  
Farheen Siddiqui ◽  
Parul Agarwal

In this chapter, the authors work at the feature level opinion mining and make a user-centric selection of each feature. Then they preprocess the data using techniques like sentence splitting, stemming, and many more. Ontology plays an important role in annotating documents with metadata, improving the performance of information extraction and reasoning, and making data interoperable between different applications. In order to build ontology in the method, the authors use (product) domain ontology, ConceptNet, and word net databases. They discuss the current approaches being used for the same by an extensive literature survey. In addition, an approach used for ontology-based mining is proposed and exploited using a product as a case study. This is supported by implementation. The chapter concludes with results and discussion.


Author(s):  
Lucie Clements ◽  
Rebecca Weber

Creativity is commonly recognized as a complex phenomenon; one which entails a range of debates around definition, process and product, domain specificity, cross-discipline generalisability, and appropriate testing measures. The psychology of creativity appears to find a fitting home in dance science, a field concerned with understanding and enhancing dancers' health and performance. Yet dance psychology has been predominated by research which focuses on the mental processes underpinning optimal skill execution and technical performance. This paper outlines an argument for a greater focus on the creative demands of dance within dance science, highlighting some the challenges of, and barriers to, research in the psychology of creativity in dance, before making a number of recommendations to encourage the growth of this important research area.


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