scholarly journals Remaking ocean governance in Aotearoa New Zealand through boundary-crossing narratives about ecosystem-based management

Marine Policy ◽  
2020 ◽  
Vol 122 ◽  
pp. 104222
Author(s):  
Erena Le Heron ◽  
Richard Le Heron ◽  
Lara Taylor ◽  
Carolyn J. Lundquist ◽  
Alison Greenaway
2021 ◽  
Vol 11 (1) ◽  
pp. 71-85 ◽  
Author(s):  
Noeline Wright ◽  
Sharyn Heaton

In everyday understanding, ‘hospitality’ refers to paid work contexts; commodities and transactional tasks. Hospitality can, however, have much broader significance. It can be understood in cultural and social terms within and beyond transactional contexts. In Māori cultural knowledge and practices for example, hospitality has reciprocal, relational nuances. Perhaps both views imply that ‘hospitality’ is an act of ‘crossing boundaries […] or thresholds’ as Still (2013: 4) suggested. Relational, reciprocal, boundary-crossing practices may also infer ritual understandings of respect, kindness, generosity and harmony. Crossing thresholds is a central concept in Māori knowledge and practices and is central to this article exploring concepts and practices of hospitality in a new primary school focused on building its practices on relational and reciprocal values. In Aotearoa New Zealand educational contexts, hospitality is a cultural, social reciprocal and relational practice. Thus, through examining ‘hospitality’, ‘borders’ and ‘thresholds’ across the boundaries of education and commerce, we hope to illuminate both connections and differences. We do so through reviewing both literature about ‘hospitality’, ‘borders’ and ‘thresholds’ and interview data from a new school intentionally valuing whanaungatanga.


Author(s):  
Kirstine Moffat

The post-1950 novel in New Zealand can be described in terms of transition and innovation, as writers were energized by a sense of ferment, excitement, and shifting identities. This reflects the profound social, political, and cultural changes of the period. In the 1950s and 1960s, literary novelists were driven by two desires: to create a genuine local literature that was not derivative of British models and to awaken society from its socially conservative and ethnically homogeneous complacency. The chapter considers how the New Zealand novel has been shaped by postcolonial and feminist sensibilities since the 1970s together with a wider sense of its Pacific and Asian identity. It also discusses the authors' exploration of shifting identities, which can be divided into four broadly chronological, overlapping phases: social realism and social protest; the Maōri Renaissance; cultural change and stylistic experimentation; and boundary-crossing.


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