The International Institute of African Languages and Cultures: A memory of its Beginnings

Africa ◽  
1990 ◽  
Vol 60 (1) ◽  
pp. 132-133 ◽  
Author(s):  
W. E. F. Ward

I went out to the Gold Coast as a teacher on the staff of the newly established Achimota College in October 1924, and a few weeks before I came back for my first leave, in April 1926, there came to the college a distinguished visitor, Major Hanns Vischer (later Sir Harms), the educational adviser to the Colonial Office in London. It was Major Vischer who told me about the project to establish an International African Institute.Vischer was a remarkable and delightful character. I was told that he was of Swedish descent, which was why he spelt his name Harms instead of in the German form Hans. He had served in the British army through the First World War, but before the war he had served in Nigeria as a missionary for the Church Missionary Society. He spoke fluent Hausa, and (I was told) some other languages. He was certainly a skilled linguist, for he seemed equally at home in English, French and German. He spoke English with a slight foreign accent, which made it easy to believe in his Scandinavian origin; it was not a German accent. He stayed at Achimota for a week or so, and went on from the Gold Coast to visit Sierra Leone. He joined my homeward-bound steamer at Freetown; he remembered having met me at Accra, and told me about the projected institute. Whoever may have been responsible for starting the scheme, it was Vischer who was the driving force in organising its inaugural meeting.

2008 ◽  
Vol 44 ◽  
pp. 354-364
Author(s):  
Andrew Atherstone

The twenty-five theological colleges of the Church of England entered the 1960s in buoyant mood. Rooms were full, finances were steadily improving, expansion seemed inevitable. For four years in succession, from 1961 to 1964, ordinations exceeded six hundred a year, for the first time since before the First World War, and the peak was expected to rise still higher. In a famously misleading report, the sociologist Leslie Paul predicted that at a ‘conservative estimate’ there would be more than eight hundred ordinations a year by the 1970s. In fact, the opposite occurred. The boom was followed by bust, and the early 1970s saw ordinations dip below four hundred. The dramatic plunge in the number of candidates offering themselves for Anglican ministry devastated the theological colleges. Many began running at a loss and faced imminent bankruptcy. In desperation the central Church authorities set about closing or merging colleges, but even their ruthless cutbacks could not keep pace with the fall in ordinands.


2020 ◽  
Vol 56 ◽  
pp. 471-486
Author(s):  
Anne C. Brook

The Church of England successfully resisted proposals to bring decisions about alterations to its churches within the provisions of the Ancient Monuments Act (1913). However, the quid pro quo for the continuation of that ecclesiastical exemption was a strengthening of the operation of the faculty jurisdiction of diocesan chancellors. The First World War brought more urgent concerns for dioceses, but what no-one had foreseen was the huge death toll that war would bring, and the consequent pressure for communal and individual memorials to be created in churches and churchyards. In addition to the greatly increased volume of faculty applications, and the problem of some churches going ahead with commemorative projects without seeking the necessary faculties, some war memorial plans involving crucifixes began to raise the spectre of Ritualistic illegality.


Popular Music ◽  
1991 ◽  
Vol 10 (2) ◽  
pp. 121-145 ◽  
Author(s):  
Christopher Ballantine

The explosive development of a jazz-band tradition in South African cities from the 1920s – closely allied to the equally rapid maturation of a vaudeville tradition which has been in existence at least since the First World War – is one of the most astonishing features of urban-black culture in that country in the first half of the century. Surrounded by myriad other musics – styles forged by migrant workers; traditional styles transplanted from the countryside to the mines; petty bourgeois choral song; music of the church and of western-classical provenance – jazz and vaudeville quickly established themselves as the music which represented and articulated the hopes and aspirations of the most deeply urbanised sectors of the African working class.


2021 ◽  
Vol 32 (1) ◽  
pp. 1-26
Author(s):  
James Gibbs

The name K. A. Amonoo sits in the Roll of Honour in the entrance hall of Queen’s College, Taunton, Somerset, England together with the names of other former pupils who served in the First World War. In recent times, focus on K. A. Amonoo has been on his palatial residence, which he built in Anomabo, a coastal town in Ghana, in colonial Gold Coast, as Micots (2015 and 2017) have sought to emphasize in terms of the architectural design of his residence. Therefore, what this paper seeks to do is to bring to light a historically significant narrative of who Amonoo was, as a case study to examine and foreground the contributions of some of the nearly forgotten African intelligentsia of coastal Ghana. Through close analysis, the paper also places a central gaze on his activism within colonial Gold Coast and Calabar in colonial Nigeria as subtle moves to counter the growing authority of the British administration. Utilizing a set of key biographical prompts, the paper reflects on thematic issues such as class and status, modernity, and resistance to British colonial hegemony.


Author(s):  
George Harinck

Abstract The ecumenical movement started at the time of the First World War and was molded by the nationalism that ignited this war. In 1914-1918 it became clear that the nations had become a hindrance for the churches. At first, internationalism seemed the answer to this problem, but in the 1920s and 1930s it turned out that internationalism still was too abstract, and nationalism was still too dominant. In the early 1920s W.A. Visser ’t Hooft was active in the international Christian student movement, where he learned the relevance of Christianity as an alternative for nationalism, and in the 1930s he explicitly chose for the church as an alternative for the nation. In order to make the church relevant over against nationalism and rising totalitarianism the national, liturgical and confessional differences between churches had to be overcome to enable the church to speak with one voice. This aim was not realized yet at the time of the Second World War, but the ecumenical movement encouraged churches to formulate its own identity and develop its own mission amidst nationalism and totalitarianism.


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