Exhuming and highlighting the nearly forgotten Gold Coast intelligentsia: The life and times of Prince Kwamin Atta Amonoo V

The name K. A. Amonoo sits in the Roll of Honour in the entrance hall of Queen’s College, Taunton, Somerset, England together with the names of other former pupils who served in the First World War. In recent times, focus on K. A. Amonoo has been on his palatial residence, which he built in Anomabo, a coastal town in Ghana, in colonial Gold Coast, as Micots (2015 and 2017) have sought to emphasize in terms of the architectural design of his residence. Therefore, what this paper seeks to do is to bring to light a historically significant narrative of who Amonoo was, as a case study to examine and foreground the contributions of some of the nearly forgotten African intelligentsia of coastal Ghana. Through close analysis, the paper also places a central gaze on his activism within colonial Gold Coast and Calabar in colonial Nigeria as subtle moves to counter the growing authority of the British administration. Utilizing a set of key biographical prompts, the paper reflects on thematic issues such as class and status, modernity, and resistance to British colonial hegemony.

The spirit of empowerment: A study of Acts 3:1-10

The words of Peter and the stretch of his right hand empowered the cripple to become like “the others.” Within a society are people who need a little push to be themselves. There are also people in the society who can empower others but either they are not conscious of it or just do not want to help. A piece of advice, a smile, a touch, an amount of money, education, and food, in a selfless effort or in a sacrifice, are some of the numerous ways of empowering people to do what they think is impossible. Exegetical analysis of Acts 3:1-10 demonstrated how Peter and John healed the cripple, restored his human dignity, and empowered him from begging. This paper contributes to the discussion on cultural attitudes towards empowerment.

The “Galamsey” Menace: Implications on the Archaeological Record at Awudua Dada, Western Region, Ghana

This article discusses the socio-cultural consequences of small-scale artisanal gold mining on the archaeological record and other heritage resources at Awudua Dada, located in the Prestia-Huni Valley District of the Western Region, Ghana. The settlement witnessed vibrant commercial exchanges between Wassa and Dutch traders in the mid-seventeenth century because of its abundant gold resources, much of which was exchanged for novel European trade goods such as varieties of alcoholic beverages, guns, gunpowder, and finished metal products among many others. Currently abandoned and desolate, groups of small-scale artisanal gold miners continue to prospect gold there, and along the banks and bed of the Ankobra River which lies close-by. Archaeological, historical, and ethno historical research constituted the principal methods used to derive data for the study which revealed that mining had not only negatively impacted the archaeological record and other cultural resources there but had also caused significant environmental degradation.

Deconstructing the terrible gift of postcolonial African lives: An intertextual reading of Martin Egblewogbe’s Mr. Happy and the Hammer of God & Other Stories.

This paper situates Martin Egblewogbe’s short story collection Mr. Happy and the Hammer of God & Other Stories (2008) within intertextual discourses as they relate to the tri-generational canon of Ghanaian, and by extension, African literature. It argues against the easy temptation of reading the work via uncontextualized metaphysical or existentialist paradigms, or what Wole Soyinka (1976) refers to as the undifferentiated mono-lenses of “universal humanoid abstractions,” and instead situates it within the Ghanaian tradition by pointing out the collection’s filiation to the specific trope of madness-as-a subversive-performance-of-resilience against the oppressive socio-political status quo in that tradition. The paper excavates the works of first generation postcolonial Ghanaian authors such as Armah, Awoonor and Aidoo, and reads Egblewogbe’s relatively recent debut oeuvre against them in a grounded epistemic manoeuvre that fractures assumptions about the work’s uniqueness and places it in on-going trans-generational dialogic exchanges about how to negotiate the fractious crucible that is postcolonial Ghanaian experience.

BOOK REVIEW

Alastair Niven, In Glad or Sorry Hours, London: Starhaven, 2021, 0-936315-482, 256 pp.

Anxiety in adult foreign language learning: The case of Ghanaian undergraduate students of Spanish

This study investigates students’ anxiety levels through the administration of the Foreign Language Classroom Anxiety Scale (FLCAS) among Spanish learners at a Ghanaian University. The differences according to level of instruction, the association between classroom anxiety and performance, as well as the possible relationship between language immersion and anxiety are also analysed using descriptive statistics, and Pearson’s Moment Correlation Coefficient. The findings indicate that the majority of student participants experienced foreign language classroom anxiety. Nonetheless, contrary to previous research findings, anxiety was not found to decrease systematically as proficiency increased. Additionally, as confirmed by previous studies, the result of the Pearson correlation analysis showed that students’ overall Spanish classroom anxiety and their classroom achievement had a negative association.

Queering the Nigerian Cinema and Politics of Gay Culture

The advocacy for gayism and lesbianism in Nigeria is informed by transnational cultural processes, transculturalism, interculturalism, multiculturalism and globalisation. Although critical dimensions on Lesbian, Gay, Bisexual and Transgender (LGBT) are becoming recurrent subjects in Nigerian scholarship, scholarly works on LGBT, sexual identity and Nigerian cinema remain scarce. Perhaps, this is because of indigenous Nigerian cultural processes. While Chimamanda Adichie, a Nigerian novelist cum socio-political activist, campaigns against marginalisation and subjugation of gays and lesbians and for their integration into the Nigerian cultural system, numerous African socio-cultural and political activists hold a view that is dialectical to Adichie’s. The position of the members of the anti-gay group was further strengthened with the institution of stringent laws against gay practice in Nigeria by the President Goodluck Jonathan led government in 2014. In recent times, the gay, bisexual, transgender and lesbian cultures have been a source of raw material for filmmakers. Some of the thematic preoccupations of films have bordered on questions such as: what does it mean to be gay? Why are gays marginalised? Are gays socially constructed? What is the future of the advocacy for gay and lesbian liberation in Nigeria? Although most Nigerian film narratives are destructive critiques of the gay culture, the purpose of this research is not to cast aspersion on the moral dimension of LGBT. Rather, I argue that films on LGBT create spaces and maps for a critical exploration of the gay question. While the paper investigates the politics of gay culture in Nigerian cinema, I also posit that gays and lesbians are socio-culturally rather than biologically constructed. This research adopts literary and content analysis methods to engage Moses Ebere’s Men in Love with reference to other home videos on the gay and lesbian motifs.

Maat vs. The statue of Égalité: A critical analysis of Ataa Ayi Kwei Armah’s Wat Nt Shemsw: The way of companions

In this paper, we endeavor to restore Mꜣꜥt ‘Maat’ as truth to her rightful place by challenging erroneous and demonstrably incorrect notions as they appear in Ataa Ayi Kwei Armah’s Wat Nt Shemsw: The Way of Companions. By cross-referencing Ataa Armah’s vague allusions to “ancient Egyptian” mythology with actual textual documentation from Kmt ‘Black Nation/Land of Blacks’ (so-called “ancient Egypt”), we will interrogate the assertions made about the myths of the kmt(yw) ‘Black people’. We find that where Ataa Armah’s statements are at odds with the texts of Kmt ‘Black Nation/Land of Blacks,’ it is necessary to bring this information to light so that the readers can learn the actual content of these myths for themselves. In conclusion, we find that to truly understand Kmt ‘Black Nation/Land of Blacks,’ Afrikan champions interested in restoring the truth of Mꜣꜥt ‘Maat’ must let the Ancestors speak without Eurasian interpreters or interpretations.

The black hole in science journalism: A study of journalism students’ accommodation strategies of scientific writing

This study examined strategies employed by journalism students to accommodate scientific communication into public news. Data were collected from news articles of 130 journalism students, 130 science-based research articles, 3,990 minutes of interviews between scientists and trainees, and among 25 focal participants. We found that some journalism students could not adequately accommodate scientific articles into news reports due to their passive knowledge of newswriting journalese. We also observed that journalism students had difficulty in interpreting scientific research claims, and showed less resilience to cope with the angst of scientists about the journalistic profession and the humanities. The paper concluded that the accommodation of scientific communication into public news is a rigorous process that requires the active participation and praxis of journalism students.

‘Na Wa o for African Men’: Pragmatic acting in Sir Shina Peters’ Shinamania

Music performs different functions besides entertainment. This paper explores the sensitising and advocating functions of music with particular focus on Sir Shina Peters’ album Shinamania. I employ Jacob Mey’s pragmeme, a pragmatic analytical tool, to identify the pragmatic acts that are performed in the album. The analysis reveals that, with the practs of ordering, Sir Peters compares the attitudes of African men to African women and advocates women empowerment, predicating his advocacy on the fact that women are beautiful and intelligent. He presents them as more humane and considerate than men. He also eulogises the virtues of women, taking them almost to the pedestal of saints. He uses the pract of warning to balance his presentation, but he appears subjective on the side of women. Consequently, the paper concludes that Sir Shina Peters deploys this album as his commentary on cultural and socio-political peculiarities of Africa.