Concorde—bird of harmony or political albatross: an examination in the context of British foreign policy

1979 ◽  
Vol 33 (4) ◽  
pp. 481-508 ◽  
Author(s):  
Annabelle May

Increasingly, technological decisions are entering into the political arena. They alter the environment in which policy must operate. It is claimed that British foreign policy since the Second World War has been dominated by unrealizable goals. Britain has been preoccupied by the debate about her world-role, a debate which was in itself the product of anachronistic values and assumptions. The Concorde project was the manifestation of a desire to maintain Britain's position as a leading aeronautical power. The aircraft industry faithfully reflects the pattern of government interests and influence. But Concorde was also intended to emphasize what the British government felt to be changing relationships with the United States and Europe. However, in “modernized” states, the boundaries between foreign and domestic policies are increasingly blurred. Although this phenomenon may result in interdependence at an international level, the formation of transnational links can restrict the power of sovereign states. It can also inhibit the domestic process of democratic control. While international burden-sharing may place unforeseen pressures on the structures of government, the momentum for technological development is often so strong that it becomes impossible to resist. While visible technology can be a potent instrument of prestige, it must also respond to needs at a market level in order to be successful. Concorde has conspicuously failed to do this.

1992 ◽  
Vol 26 (3) ◽  
pp. 337-355 ◽  
Author(s):  
Tor Egil Førland

The subject of this article is the foreign policy views of singer and songwriter Bob Dylan: a personality whose footprints during the 1960s were so impressive that a whole generation followed his lead. Today, after thirty years of recording, the number of devoted Dylan disciples is reduced but he is still very much present on the rock scene. His political influence having been considerable, his policy views deserve scrutiny. My thesis is that Dylan'sforeign policyviews are best characterized as “isolationist.’ More specifically: Dylan's foreign policy message is what so-called progressive isolationists from the Midwest would have advocated, had they been transferred into the United States of the 1960s or later. I shall argue that Bob Dylan is just that kind of personified anachronism, seeing the contemporary world through a set of cognitive lenses made in the Midwest before the Second World War – to a large extent even before the First (or, indeed, before the American Civil War).


1975 ◽  
Vol 80 (2) ◽  
pp. 414
Author(s):  
Matthew A. Fitzsimons ◽  
Llewellyn Woodward

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