The basilicas of Ethiopia. An architectural history. By Mario Di Salvo (with Carolyn Gossage; foreword Michael Gervers). Pp. xiv + 145 incl. 1 frontispiece, 186 black-and-white and colour figs and 6 colour maps. London–New York: I. B. Tauris, 2017. £25. 978 1 78453 725 8

2018 ◽  
Vol 69 (4) ◽  
pp. 843-843
Author(s):  
John Binns
Keyword(s):  
New York ◽  
Architectural History ◽  
Black And White

Transatlantic Pieties: Connections and Disconnections - A Rational Millennium: Puritan Utopias of Seventeenth-Century England and America. By James Holstun. New York: Oxford University Press, 1987. Pp. x + 371. - Puritan Legacies: Paradise Lost (and the New England Tradition, 1630–1890). By Keith W. Stavely. Ithaca, N.Y.: Cornell University Press, 1987, Pp. xiv + 294. - Triumph of the Laity: Scots-Irish Piety and the Great Awakening, 1625–1760. By Marilyn J. Westerkamp. New York: Oxford University Press, 1988. Pp. ix + 266. - Quakers and the American Family: British Settlement in the Delaware Valley. By Barry Levy. New York: Oxford University Press, 1988. Pp. ix + 340. - Holy Things and Profane: Anglican Parish Churches in Colonial Virginia. By Dell Upton. Cambridge, Mass.: MIT Press for the Architectural History Foundation, 1986. Pp. xxii + 278. - “A Mixed Multitude”: The Struggle for Toleration in Colonial Pennsylvania. By Sally Schwartz. New York: New York University Press, 1987. Pp. vii + 399. - The World They Made Together: Black and White Values in Eighteenth-Century Virginia. By Mechal Sobel. Princeton, N.J.: Princeton University Press, 1987. Pp. xii + 364.

1989 ◽  
Vol 28 (4) ◽  
pp. 411-418
Author(s):  
Jon Butler
Keyword(s):  
New York ◽  
New England ◽  
Architectural History ◽  
New York University ◽  
Delaware Valley ◽  
Cornell University ◽  
Black And White ◽  
Oxford University ◽  
Princeton University ◽  
Oxford University Press

Superior 2X2 Slides

1975 ◽  
Vol 33 ◽  
pp. 158-159
Author(s):  
Harry Schaefer ◽  
Bruce Wetzel
Keyword(s):  
New York ◽  
High Resolution ◽  
Black And White ◽  
Fine Grain ◽  
White Film

High resolution 24mm X 36mm positive transparencies can be made from original black and white negatives produced by SEM, TEM, and photomicrography with ease, convenience, and little expense. The resulting 2in X 2in slides are superior to 3¼in X 4in lantern slides for storage, transport, and sturdiness, and projection equipment is more readily available. By mating a 35mm camera directly to an enlarger lens board (Fig. 1), one combines many advantages of both. The negative is positioned and illuminated with the enlarger and then focussed and photographed with the camera on a fine grain black and white film.Specifically, a Durst Laborator 138 S 5in by 7in enlarger with 240/200 condensers and a 500 watt Opale bulb (Ehrenreich Photo-Optical Industries, Inc., New York, NY) is rotated to the horizontal and adjusted for comfortable eye level viewing.

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