scholarly journals Songs of Innocence

Philosophy ◽  
1981 ◽  
Vol 56 (216) ◽  
pp. 145-146
Keyword(s):  
Author(s):  
Susan Mitchell Sommers

Recent investigations of Swedenborgians in London place them at the center of intricate and sometimes convoluted connections that tie Swedenborgians to what Al Gabay calls the “covert” Enlightenment—a complicated network of people of various walks of life who were also Swedenborgians, mesmerists, high-order illuminist freemasons, dabblers in alchemy, and spiritualists. With Manoah as an early New Church minister and active astrologer, and his brother Ebenezer an astrologer, alchemist, and freemason, they would seem to be a nexus for these related networks. Upon closer examination, this is unlikely for a variety of reasons. This chapter offers a revisionist look at Manoah’s centrality to the leadership and development of the New Church through its first fifty years, as well as suggesting that Manoah was largely responsible for New Church developments that famously alienated William Blake.


2018 ◽  
pp. 183-203
Author(s):  
Alexander Regier

This chapter uncovers the multilingual aspects of the literary genre of the British hymn by looking at the surprisingly polyglot, Anglo-German influences on its formation and their impact during the eighteenth century. Once we read across languages, we realize that a great part of what we think of as typically British hymns are, in fact, translations from the German, composed by the Moravians. Many of their hymns are exorbitant in their use of erotic Christianity, a topic that is also important to Blake and Hamann. The hymn is a hybrid, something that is reflected directly in the bilingual hymnbooks, so far neglected by scholarship. The chapter provides a fresh reading of Blake’s Songs of Innocence and of Experience across languages that attends to these multilingual and comparative echoes that have not been noticed before.


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