Staging the Holocaust: The Shoah in Drama and Performance. Edited by Claude Schumacher. Cambridge: Cambridge University Press, 1998; pp. 355, illustrations, $ 59.95 hardcover. - Theatrical Performance During the Holocaust. Texts. Documents. Memoirs. Edited by Rebecca Rovit and Alvin Goldfarb. Baltimore: The Johns Hopkins University Press/PAJ Books, 1999; pp. 350, illustrations. $39.95 hardcover. - The Theatre of the Holocaust. Volume 2: Six Plays. Edited with an Introduction by Robert Skloot. Madison: University of Wisconsin Press, 1999; pp. 407, $24.95 paper. - Embodied Memory: The Theatre of George Tabori. By Anat Feinberg. Iowa City: University of Iowa Press, 1999; pp. 346. illustrations, $39.95 hardcover. - Spectacular Suffering: Theatre, Fascism, and the Holocaust. Bloomington: Indiana University Press, 1999, pp. 168, $35.00 hardcover, $14.95 paper.

2000 ◽  
Vol 41 (2) ◽  
pp. 141-147
Author(s):  
Klaus van den Berg
Keyword(s):  
Iowa City ◽  
Indiana University ◽  
University Of Iowa ◽  
Cambridge University ◽  
University Of Wisconsin ◽  
Johns Hopkins University ◽  
Theatrical Performance ◽  
The Holocaust ◽  
And Performance ◽  
Embodied Memory

History in Literature: The Renaissance - Theatre and Crisis, 1632–1642. By Martin Butler. Cambridge: Cambridge University Press, 1984. Pp. xii + 340. - Radical Tragedy: Religion, Ideology, and Power in the Drama of Shakespeare and His Contemporaries. By Jonathan Dollimore. Chicago: University of Chicago Press, 1984. Pp. viii + 312. - James I and the Politics of Literature: Jonson, Shakespeare, Donne and Their Contemporaries. By Jonathan Goldberg. Baltimore: Johns Hopkins University Press, 1983. Pp. xx + 292. - Literature and the Discovery of Method in the English Renaissance. By Patrick Grant. Athens: University of Georgia Press, 1985. Pp. x + 188. - Renaissance Self-fashioning: From More to Shakespeare. By Stephen Greenblatt. Chicago: University of Chicago Press, 1980. Pp. x + 322. - Puritanism and Theatre: Thomas Middleton and Opposition Drama under the Early Stuarts. By Margot Heinemann. Cambridge: Cambridge University Press, 1980. Pp. x + 300. - Shakespeare's History. By Graham Holderness. Dublin: Gill & Macmillan, 1985. Pp. xii + 243. - Society and History in English Renaissance Verse. By Lauro Martines. Oxford: Basil Blackwell, 1985. Pp. viii + 191. - Censorship and Interpretation: The Conditions of Writing and Reading in Early Modern England. By Annabel Patterson. Madison: University of Wisconsin Press, 1984. Pp. x + 283. - Praise and Paradox: Merchants and Craftsmen in Elizabethan Popular Literature. By Laura Caroline Stevenson. Cambridge: Cambridge University Press, 1984. Pp. xiv + 252.

1987 ◽  
Vol 26 (1) ◽  
pp. 107-123
Author(s):  
David Harris Sacks
Keyword(s):  
Popular Literature ◽  
Thomas Middleton ◽  
English Renaissance ◽  
University Of Chicago ◽  
Cambridge University ◽  
James I ◽  
University Of Georgia ◽  
University Of Wisconsin ◽  
Johns Hopkins University ◽  
University Of Chicago Press

scholarly journals THE PROJECTION AND PERFORMANCE OF GHANAIAN NATIONHOOD - Jeffrey S. Ahlman. Living with Nkrumahism: Nation, State, and Pan-Africanism in Ghana (New African Histories). Athens, Ohio: Ohio University Press, 2017. vi + 322 pp. Illustrations. Acknowledgements. Notes. Bibliography. Index. $32.95. Paper. ISBN: 978-0-821-42293-9. - Harcourt Fuller. Building the Ghanaian Nation-State: Kwame Nkrumah’s Symbolic Nationalism (African Histories and Modernities). New York: Palgrave Macmillan, 2014. xxvii + 262 pp. Illustrations. Foreword. Acknowledgements. Timeline. Notes. Bibliography. Index. $90.00. Cloth. ISBN: 978-1-137-44858-3. - Jacob U. Gordon, editor. Revisiting Kwame Nkrumah: Pathways for the Future. Trenton, New Jersey: Africa World Press, 2017. xv + 330 pp. Illustrations. Preface. Appendices. Index. $39.95. Paper. ISBN: 978-1-569-02478-2. - Bianca Murillo. Market Encounters: Consumer Cultures in Twentieth-Century Ghana (New African Histories). Athens, Ohio: Ohio University Press, 2017. xv + 248 pp. Illustrations. Acknowledgements. Notes. Bibliography. Index. $32.95. Paper. ISBN: 978-0-821-42289-2. - Paul Schauert. Staging Ghana: Artistry and Nationalism in State Dance Ensembles (African Expressive Cultures). Bloomington: Indiana University Press, 2015. xvi + 342 pp. Illustrations. Preface. Acknowledgements. Notes. Bibliography. Index. $30.00. Paper. ISBN: 978-0-253-01742-0. - Jesse Weaver Shipley. Trickster Theatre: The Poetics of Freedom in Urban Africa (African Expressive Cultures). Bloomington: Indiana University Press, 2015. xii + 284 pp. Illustrations. Acknowledgements. Notes. Bibliography. Index. $35.00. Paper. ISBN: 978-0-253-01653-9. - Kate Skinner. The Fruits of Freedom in British Togoland: Literacy, Politics and Nationalism, 1914–2014 (African Studies). New York: Cambridge University Press, 2015. xv + 298 pp. Illustrations. Acknowledgements. Notes. Bibliography. Index. $85.00. Cloth. ISBN: 978-1-107-07463-7.

2019 ◽  
Vol 62 (4) ◽  
pp. 181-193 ◽  
Author(s):  
Benjamin N. Lawrance
Keyword(s):  
New York ◽  
Twentieth Century ◽  
Nation State ◽  
Ohio University ◽  
Indiana University ◽  
Cambridge University ◽  
Kwame Nkrumah ◽  
Pan Africanism ◽  
Urban Africa ◽  
And Performance
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