“THE KING IS COLD,” BY STODDARD, NOT BROWNING

2008 ◽  
Vol 36 (2) ◽  
pp. 361-362
Author(s):  
Andrew M. Stauffer

About a decade ago, I discovered an unknown poem attributed to Robert Browning in two New York abolitionist periodicals, and published an article about it here in Victorian Literature and Culture. I made the case that the poem, a dramatic monologue entitled “The King is Cold,” sounds like Browning in ways that suggest either its authenticity or the early familiarity of an American audience with Browning's style; and I closed the article with the statement, “By bringing ‘The King is Cold’ to light, I hope to encourage further speculation and inquiry as to its place either among Browning's collected works, or within the larger field of Browning scholarship that includes the study of his American reputation” (469). Since then, electronic databases have automated broad, sweeping searches of periodicals, and now the relevant information is easily discovered: the poem was in fact written by Richard Henry Stoddard, the American poet and man of letters. It was first published under Browning's name in the New York News sometime late in 1857, and was correctly ascribed to Stoddard in Russell's Magazine in December of that year; I found this information by searching in the American Periodicals Series Online, 1740–1900. The abolitionist reprintings (in the National Anti-Slavery Standard and the Liberator) apparently followed the version in the New York News, and the misattribution was perpetuated. Indeed, the poem reappeared in another New York periodical, Munsey's Scrap Book, in 1909, where it was still being given out as Robert Browning's. “The King is Cold” was also included as Browning's in William Cullen Bryant's oft-reprinted New Library of Poetry and Song.

2001 ◽  
Vol 29 (2) ◽  
pp. 553-569
Author(s):  
Sandra M. Donaldson ◽  
Dominic Bisignano ◽  
Melissa Brotton

The following abbreviations appear in this year’s bibliography:BSN Browning Society Notes. DAI Dissertation Abstracts International. N&Q Notes and Queries. NCL Nineteenth Century Literature. RES Review of English Studies. VLC Victorian Literature and Culture. VP Victorian Poetry. VS Victorian StudiesAn asterisk* indicates that we have not seen the item. Cross references with citation numbers between 51 and 70 followed by a colon (e.g., C68:) refer to William S. Peterson’s Robert and Elizabeth Barrett Browning: An Annotated Bibliography, 1951–1970 (New York: Browning Institute, 1974); higher numbers refer to Robert Browning: A Bibliography 1830–1950, compiled by L. N. Broughton, C. S. Northup, and Robert Pearsall (Ithaca: Cornell UP, 1953).


1999 ◽  
Vol 27 (2) ◽  
pp. 613-633
Author(s):  
Sandra M. Donaldson ◽  
Melissa Brotton

The following abbreviations appear in this year’s bibliography:BSN Browning Society NotesDAI Dissertation Abstracts InternationalNCL Nineteenth Century LiteratureTLS Times Literary SupplementVLC Victorian Literature and CultureVP Victorian PoetryVR Victorian ReviewVS Victorian StudiesAn asterisk* indicates that we have not seen the item. Cross references with citation numbers between 51 and 70 followed by a colon (e.g., C68:) refer to William S. Peterson’s Robert and Elizabeth Barrett Browning: An Annotated Bibliography, 1951–1970 (New York: Browning Institute, 1974); higher numbers refer to Robert Browning: A Bibliography 1830–1950, compiled by L. N. Broughton, C. S. Northup, and Robert Pearsall (Ithaca: Cornell UP, 1953).


2000 ◽  
Vol 28 (2) ◽  
pp. 479-499
Author(s):  
Sandra M. Donaldson ◽  
Dominic Bisignano ◽  
Melissa Brotton

The following abbreviations appear in this year’s bibliography:BSNBrowning Society NotesDAI Dissertation Abstracts InternationalN&QNotes and QueriesNCLNineteenth Century LiteratureRESReview of English StudiesSBHCStudies in Browning and His CircleVLCVictorian Literature and CultureVPVictorian PoetryVRVictorian ReviewAn asterisk* indicates that we have not seen the item. Cross references with citation numbers between 51 and 70 followed by a colon (e.g., C68:) refer to William S. Peterson’s Robert and Elizabeth Barrett Browning: An Annotated Bibliography, 1951–1970 (New York: Browning Institute, 1974); higher numbers refer to Robert Browning: A Bibliography 1830–1950, compiled by L. N. Broughton, C. S. Northup, and Robert Pearsall (Ithaca: Cornell UP, 1953).


Author(s):  
Mark Byers

The Practice of the Self situates the work of American poet Charles Olson (1910–70) at the centre of the early postwar American avant-garde. It shows Olson to have been one of the major advocates and theorists of American modernism in the late 1940s and early 1950s; a poet who responded fully and variously to the political, ethical, and aesthetic urgencies driving innovation across contemporary American art. Reading Olson’s work alongside that of contemporaries associated with the New York Schools of painting and music (as well as the exiled Frankfurt School), the book draws on Olson’s published and unpublished writings to establish an original account of early postwar American modernism. The development of Olson’s work is seen to illustrate two primary drivers of formal innovation in the period: the evolution of a new model of political action pivoting around the radical individual and, relatedly, a powerful new critique of instrumental reason and the Enlightenment tradition. Drawing on extensive archival research and featuring readings of a wide range of artists—including, prominently, Barnett Newman, Mark Rothko, David Smith, Wolfgang Paalen, and John Cage—The Practice of the Self offers a new reading of a major American poet and an original account of the emergence of postwar American modernism.


2016 ◽  
Vol 7 (2) ◽  
pp. 179 ◽  
Author(s):  
Rodrigo F. Malaquias ◽  
Anderson Martins Cardoso ◽  
Gabriel Alves Martins

In recent years, the convergence of accounting standards has been an issue that motivated new studies in the accounting field. It is expected that the convergence provides users, especially external users of accounting information, with comparable reports among different economies. Considering this scenario, this article was developed in order to compare the effect of accounting numbers on the stock market before and after the accounting convergence in Brazil. The sample of the study involved Brazilian listed companies at BM&FBOVESPA that had American Depository Receipts (levels II and III) at the New York Stock Exchange (NYSE). For data analysis, descriptive statistics and graphic analysis were employed in order to analyze the behavior of stock returns around the publication dates. The main results indicate that the stock market reacts to the accounting reports. Therefore, the accounting numbers contain relevant information for the decision making of investors in the stock market. Moreover, it is observed that after the accounting convergence, the stock returns of the companies seem to present lower volatility.


Sign in / Sign up

Export Citation Format

Share Document