The Association for Women in Psychology-Lesbian Psychologies Unpublished Manuscript Award

2001 ◽  
Author(s):  
Author(s):  
Jens Meierhenrich

This chapter turns to the gestation of the first, German-language manuscript of The Dual State, known as the Urdoppelstaat of 1938. I then chart the transformation of this unpublished manuscript into the 1941 book. To lay the foundation for this detailed reconstruction, I trace in some depth the gradual destruction of the German Rechtsstaat, presenting in an accessible manner several decades worth of material culled from the historiography of Nazi law. This illustrates the enormity—and danger—of the task that Fraenkel set himself: to serve as a participant observer in the courts of the “Third Reich.” Drawing on a series of primary documents, I piece together the incredible and untold story of the gestation of The Dual State, a tale of rare courage, acumen, and insight. I pay detailed attention to similarities and differences in recently discovered manuscript drafts.


2021 ◽  
Author(s):  
Sigrun Hintzen

Joseph Beuys expanded his concept of art to include listening and conceived of sound as sculpture. Musical material runs through his work from early drawings to late performances. This book breaks down what the acoustic elements in Beuys' works, notations, symphonies and scores are all about. What does Beuys himself do at the grand piano, what are "Erdklavier" and "Innenton"? Beuys worked with John Cage, Nam June Paik and Henning Christiansen, felt close to Erik Satie. At the time, Sigrun Hintzen laid the foundation for research into Joseph Beuys' music. This unpublished manuscript is finally being made accessible to all those who want to get to know and understand "music as an inner disposition" in Beuys' work.


2014 ◽  
Vol 40 (1) ◽  
pp. 45-80
Author(s):  
Togo Tsukahara

In this article, I will discuss one important aspect of historical encounters between Western colonial scientists and Japanese nature. In order to do so, I will shed new light on how geo-sciences became an object of scientific research of Japan, in the framework of Dutch colonial sciences. I will also show that Western interests in Japanese geo-sciences were primarily stimulated by economic motivations, and that, at the same time, it accompanied the process of the introduction of modern Western sciences into Japan. It is well-known that Philipp Franz von Siebold (1796-1866) studied Japanese natural history widely, and wrote two standard works, Flora Japonica and Fauna Japonica. This paper examines a newly found unpublished manuscript Geologica Japonica by von Siebold, which discusses Japanese geology and mineralogy, and reports on copper mining and smelting. Mineralogical and geological collections have also been discovered in museums at Leiden, the Netherlands. These collections are now identified as the research materials used in the preparation of this manuscript, and found to be the first systematic European geo-scientific collections from Japan. The collection of rocks and minerals from Japan has been proved as mostly collected and identified by Heinrich Burger (1806-1858), a pharmacist and assistant to von Siebold. Burger classified the collection using two nomenclature systems, those of A. G. Werner and R. Hauy. We further point out that the Dutch were interested in the useful natural resources of their trading partner, carrying out a survey of coal mines in Japan, and the trial of tea transplantation from Japan to Java. In my research on the newly found manuscripts and collections of geology and mineralogy, I clarify that von Siebold and Burger intensively investigated Japanese copper mining and smelting. They reported their visit to the Sumitomo copper refinery at Osaka, and Burger wrote an article on Japanese copper in the journal of the Batavian Society for Arts and Sciences. In conclusion, based on close study of newly examined manuscripts and detailed identification of geological collections, a network of interest in Japan’s geology and mineralogy by Dutch colonial scientist is illustrated, and its hybrid character is demonstrated against the background of Dutch- Japan cultural exchange.


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