The integration of gaze direction and facial expression in the processing of facially communicated emotion

2003 ◽  
Author(s):  
Reginald Adams ◽  
Robert Kleck
2009 ◽  
Vol 80 (4) ◽  
pp. 1134-1146 ◽  
Author(s):  
Hironori Akechi ◽  
Atsushi Senju ◽  
Yukiko Kikuchi ◽  
Yoshikuni Tojo ◽  
Hiroo Osanai ◽  
...  

2020 ◽  
Vol 17 (4) ◽  
pp. 2702-2716
Author(s):  
Simone Porcu ◽  
Alessandro Floris ◽  
Jan-Niklas Voigt-Antons ◽  
Luigi Atzori ◽  
Sebastian Moller

Emotion ◽  
2008 ◽  
Vol 8 (5) ◽  
pp. 628-634 ◽  
Author(s):  
Anna Pecchinenda ◽  
Manuela Pes ◽  
Fabio Ferlazzo ◽  
Pierluigi Zoccolotti

2012 ◽  
Vol 26 (5) ◽  
pp. 943-949 ◽  
Author(s):  
Hiroki Ozono ◽  
Motoki Watabe ◽  
Sakiko Yoshikawa

Brain ◽  
2009 ◽  
Vol 133 (1) ◽  
pp. 248-261 ◽  
Author(s):  
C. Cristinzio ◽  
K. N'Diaye ◽  
M. Seeck ◽  
P. Vuilleumier ◽  
D. Sander

2015 ◽  
Vol 48 (48) ◽  
pp. 9
Author(s):  
Elisabeth Engberg-Pedersen

Linguistic perspective can be used either to denote the way en event is described as seen from the perspective of one of the referents, or as a term for various linguistic means used to indicate whether a referent is new or given and whether an event is foreground or background. In this article, the former type is called referent perspective, the latter narrator perspective. In Danish Sign Language (DTS) narrator perspective is expressed by the signer’s eye contact with the addressee, the sign EN (‘one, a’) to indicate a new, prominent referent, and nonmanual signals indicating topicalization and accessibility. Referent perspective is expressed by combinations of predicates of motion and location with gaze, facial expression, and head and body orientation that represent a referent. Narratives elicited from DTS-signing adults by means of cartoons are shown to have a strong emphasis on referent perspective compared with narratives in spoken Danish elicited by means of the same cartoons. DTS-signing deaf children of six to nine years of age are shown to be well underway in acquiring the use of en, but they struggle with the expression of the referent perspective, especially the use of gaze direction and facial expression. The results are discussed in relation to Slobin’s (1996) notion rhetorical style and the role of iconicity in acquisition.


2005 ◽  
Vol 45 (9) ◽  
pp. 1191-1200 ◽  
Author(s):  
Tzvi Ganel ◽  
Yonatan Goshen-Gottstein ◽  
Melvyn A. Goodale

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