Design of distributed and self-adaptive performance monitoring system based on software rejuvenation

2010 ◽  
Vol 30 (6) ◽  
pp. 1642-1644
Author(s):  
Jing YOU ◽  
Kang-ning XU ◽  
Hong-yuan WANG ◽  
Ya-nan YANG ◽  
Jin-shu GAO
Keyword(s):  
Monitoring System ◽  
Performance Monitoring ◽  
Adaptive Performance ◽  
Software Rejuvenation ◽  
Self Adaptive

Adaptive Performance Monitoring for Embedded Multicore Systems

2011 ◽  
Author(s):  
Chun-Yi Shih ◽  
Ming-Chih Li ◽  
Chao-Sheng Lin ◽  
Pao-Ann Hsiung ◽  
Chih-Hung Chang ◽  
...  
Keyword(s):  
Performance Monitoring ◽  
Adaptive Performance ◽  
Multicore Systems

Research on vehicle-based driver status/performance monitoring, Part III

1996 ◽  
Author(s):  
Walter W. Wierwille ◽  
Mark G. Lewin ◽  
Rollin J. Fairbanks
Keyword(s):  
Performance Monitoring

Linking individual-level technical, contextual, and adaptive performance to team processes

2007 ◽  
Author(s):  
Meredith L. Cracraft ◽  
Gonzalo Ferro ◽  
David W. Dorsey ◽  
Johnathan Nelson
Keyword(s):  
Adaptive Performance ◽  
Team Processes ◽  
Individual Level

Worldwide Real-Time GNSS Performance Monitoring

2018 ◽  
Author(s):  
Bernard Bonhoure ◽  
C. Rouch ◽  
A. Kanj ◽  
D. Laurichesse ◽  
A. Blot ◽  
...  
Keyword(s):  
Real Time ◽  
Performance Monitoring

Site, Adapt, Perform: A Practice-as-Research Confrontation with Climate Change

2017 ◽  
Vol 35 (1) ◽  
pp. 111-129 ◽  
Author(s):  
Melanie Kloetzel
Keyword(s):  
Climate Change ◽  
Creative Process ◽  
Adaptive Performance ◽  
Bruno Latour ◽  
Research Methodologies ◽  
Arts Festivals ◽  
A Site

In recent years, arts festivals around the globe have become enamoured of touring, site-based performance. Such serialised site work is growing in popularity due to its accessibility, its spectacular characteristics, and its adaptive qualities. Employing practice-as-research methodologies to dissect the basis of such site-adaptive performances, the author highlights her discovery of the crumbling foundation of the adaptation discourse by way of her creative process for the performance work Room. Combining findings from the phenomenological explorations of her dancing body as well as from cultural analyses of the climate change debate by Dipesh Chakrabarty (2009), Claire Colebrook (2011, 2012), and Bruno Latour (2014), the author argues that only by fundamentally shifting the direction of the adaptation discourse – on scales from global to the personal – will we be able to build a site-adaptive performance strategy that resists the neoliberal drive towards ecological and economic precarity.

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