Towards a New Sexual Conservatism in Postfeminist Romantic Comedy

Author(s):  
Alexia L. Bowler
Film History ◽  
2001 ◽  
Vol 13 (4) ◽  
pp. 390-408
Author(s):  
Kristin Thompson
Keyword(s):  

2021 ◽  
pp. 1-10
Author(s):  
Priscila A. Vasconcelos ◽  
Catarina Ramos ◽  
Constança Paúl ◽  
Pedro J. Nobre

2021 ◽  
pp. 002202212110323
Author(s):  
Jessica McKenzie ◽  
José J. Reyes ◽  
Kajai C. Xiong ◽  
Alysia Corona ◽  
Chelsee Armsworthy

Although taboo given the traditional Thai value of female sexual conservatism, sex work is a practice for which Thailand has gained international attention. As in other rapidly globalizing contexts, however, Thai youth are increasingly exposed to global values of gender equality, self-fulfillment, and personal choice. This may, in turn, alter youth perspectives of this taboo yet pervasive practice. To understand how Thai youth negotiate local and global values when considering sex work, this study examined the moral evaluations and moral reasoning of adolescents residing in variously globalized communities. Forty participants (20 adolescents in each a more and a less globalized Thai setting) participated in interviews in which they discussed their perspectives of sex work. Quantitative analysis of moral evaluations revealed that rural and urban adolescents alike deemed sex work as mostly morally wrong. Qualitative analysis of moral reasoning revealed that both participant groups prioritized Thai values of sexual purity for women, shame avoidance, and reputation maintenance. Yet distinct values were also endorsed across participant groups. Rural adolescents centered local values (e.g., relational choice, women’s dignity, Buddhist divinity) and urban adolescents drew heavily from global values (e.g., autonomous choice, romantic love, international reputation) when reasoning about the morality and immorality of sex work. Findings point to the manner in which contextual realities shape—and reshape—cultural values in this rapidly globalizing nation.


1969 ◽  
Vol 14 (2) ◽  
pp. 198-201
Author(s):  
John Weld (book author) ◽  
Alexander Leggatt (review author)
Keyword(s):  

Text Matters ◽  
2021 ◽  
pp. 157-177
Author(s):  
Magdalena Cieślak

Since their first screen appearances in the 1930s, zombies have enjoyed immense cinematic popularity. Defined by Romero’s 1968 Night of the Living Dead as mindless, violent, decaying and infectious, they successfully function as ultimate fiends in horror films. Yet, even those morbid undead started evolving into more appealing, individualized and even sympathetic characters, especially when the comic potential of zombies is explored. To allow a zombie to become a romantic protagonist, however, one that can love and be loved by a human, another evolutionary step had to be taken, one fostered by a literary association. This paper analyzes Jonathan Levine’s Warm Bodies, a 2013 film adaptation of Isaac Marion’s zombie novel inspired by William Shakespeare’s Romeo and Juliet. It examines how Shakespeare’s Romeo helps transform the already evolved cinematic zombie into a romantic protagonist, and how Shakespearean love tragedy, with its rich visual cinematic legacy, can successfully locate a zombie narrative in the romantic comedy convention. Presenting the case of Shakespeare intersecting the zombie horror tradition, this paper illustrates the synergic exchanges of literary icons and the cinematic monstrous.


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