scholarly journals Tourism Gentrification: The Case of New Orleans' Vieux Carre (French Quarter)

Urban Studies ◽  
2005 ◽  
Vol 42 (7) ◽  
pp. 1099-1121 ◽  
Author(s):  
Kevin Fox Gotham
1998 ◽  
Vol 64 (4) ◽  
pp. 733
Author(s):  
Karen Leathem ◽  
Malcolm Heard

Author(s):  
Joanna Levin

This chapter chronicles New Orleans as the first Southern city widely associated with bohemianism, where the Creole heritage and the French Quarter provided one of the likeliest stand-ins for the original homeland of bohemia--the Parisian Latin Quarter--in the nation. Bohemianism flourished in the New Orleans of the 1920s, taking root in a series of local institutions, including the modernist literary journal the Double Dealer. The journal carefully navigated bohemian-bourgeois tension, the modern and the traditional, the conservative and the progressive. Featuring such writers as Sherwood Anderson and William Faulkner, the New Orleans bohemia that existed on and off the pages of the Double Dealer provided a liminal territory, alternately challenging and reinforcing dominant ideologies and mediating a series of social and cultural divides. The lively, engaging, and frustrating "talk, talk, talk" (in Faulkner's words) that circulated between Double Dealer publications and the extended dialogues featured in Faulkner's roman à clef, his apprentice novel Mosquitoes (1927), reveal the gendered, racial, socioeconomic, regional, national, and temporal fault lines at the base of this Southern bohemia.


2019 ◽  
pp. 34-91
Author(s):  
Craig A. Miller

Michael moves to New Orleans, has eye-opening experiences in the French Quarter, and his first-semester grades suffer. Influential professors shape his love of learning and research. He encounters Alton Ochsner, Chief of Tulane Department of Surgery and a highly influential future mentor. He has dramatic and defining clinical experiences at New Orleans’ Mercy and Charity Hospitals. While still a medical student, Michael invents a new transfusion syringe. The legendary surgeon and polymath Rudolph Matas befriends the eager young Michael, becoming another revered role model. DeBakey graduates from medical school at the top of his class and decides to become a surgeon, training under Ochsner.


2012 ◽  
Vol 10 (3) ◽  
pp. 687-700 ◽  
Author(s):  
Simon Stow

The New Orleans Katrina Memorial is located at the upper end of Canal Street, an inexpensive and relatively short trolley car ride from the city's tourist hub in the French Quarter. Despite its ease of access, and close proximity to the more famous cemeteries to which tourists regularly make pilgrimage, the memorial is little visited and largely unknown, even to many of the city's own residents. In this it stands in stark contrast to the National September 11 Memorial in Lower Manhattan, which drew its millionth visitor less than four months after its opening on September 12, 2011. Recent work in political theory on memory, mourning, and memorialization—as well as Ancient Greek concerns about the same—point to the ways in which the manner of remembrance, grieving, and commemoration employed by a democratic polity help to shape political outcomes. In what follows, I trace the history and design of the New York City and New Orleans memorials to suggest the ways in which they embody and perpetuate national strategies of remembrance and forgetting, in which injustices perpetratedagainstthe polity are prioritized over injustices perpetratedwithinit. Drawing on John Bodnar's distinction between national and vernacular commemoration, I nevertheless conclude with a counter-intuitive suggestion: that while on anationallevel the public's relative ignorance of the Katrina Memorial is indeed indicative of a polity more concerned with injustices perpetrated against it than within it; on alocallevel the erection and subsequent forgetting of the Katrina Memorial is a manifestation of a mode ofvernacularmemory, mourning and commemoration with far more democratically-productive potential than its counterpart in New York City. In particular, I argue that it cultivates, and historicallyhascultivated, a more forward-looking, progressive, and polyphonic response to loss than the type of dominant national narratives embodied by the 9/11 Memorial. Whereas the latter continually replays the loss in ways that rob the polity of its capacity to move beyond its initial response, the former acknowledges and incorporates the loss while steeling the community for the challenges ahead.


1999 ◽  
Vol 4 (7) ◽  
pp. 430-436
Author(s):  
Yvelyne Germain-McCarthy

Think about new orleans. images of the wrought-iron balconies and doors of the French Quarter probably come to mind. Wrought iron was first brought to New Orleans from Spain in 1790. During the next twenty years, a number of free, mixed-race Haitians fled the Haitian slave revolts and entered the southern ports of Savannah, Charleston, and New Orleans. The Haitian refugees who came to Louisiana between 1791 and 1809 were better trained and better educated than were the inhabitants of the Louisiana territory, and “their influence insured that the state would have a Creole flair for years to come” (Hunt 1988, 58).


2001 ◽  
Vol 36 (4) ◽  
pp. 26-71
Author(s):  
Herbert Gant
Keyword(s):  

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