Soundtrack to a Movement: African American Islam, Jazz, and Black Internationalism

Religion ◽  
2022 ◽  
pp. 1-3
Author(s):  
Göran Larsson
2010 ◽  
Vol 4 (1-2) ◽  
pp. 213-227
Author(s):  
Rosemary Hicks

A review essay devoted to Islam and the Blackamerican: Looking Toward the Third Resurrection by Sherman A. Jackson. Oxford University Press, 2005. 256 pages. Hb. $29.95/£22.50, ISBN-13: 9780195180817.


2008 ◽  
Vol 2 (1) ◽  
pp. 97-111
Author(s):  
Rosemary R. Hicks

Essay reviewing Islam and the Blackamerican: Looking Toward the Third Resurrection by Sherman A. Jackson. New York: Oxford University Press, 2005. 256 pages. $29.95 (hardcover)


1995 ◽  
Vol 34 (3) ◽  
pp. 411
Author(s):  
Hans A. Baer ◽  
Aminah Beverly McCloud

1999 ◽  
Vol 16 (1) ◽  
pp. 150-157
Author(s):  
Dawud Abdul-Aziz Agbere

African-American Islam, especially as practiced by the Nation oflslam, continuesto engage the attention of many scholars. The racial separatist tendency,contrasted against the color blindness of global Islam, has been the focal pointof most of these studies. The historical presence of African Americans in themidst of American racism has been explained as, among other things, the mainimpetus behind African-American nationalism and racial separatism. Islam inthe African-American Experience is yet another attempt to explain this historicalposition. Originally the author's Ph.D. dissertation, the book spans 293pages, including notes, select biographies, indices, and thirteen illustrations. Itstwo parts, "Root Sources" and "Prophets of the City," comprise six chapters; there is also an introduction and an epilogue. The book is particularly designedfor students interested in African-American Islam. The central theme of thebook is the signifktion (naming and identifying) of the African Americanwithin the context of global Islam. The author identifies three factors thatexplain the racial-separatist phenomenon of African-American Islam:American racism, the Pan-African political movements of African-Americansin the early twentieth century, and the historic patterns of racial separatism inIslam. His explanations of the first two factors, though not new to the field ofAfrican-American studies, is well presented. However, his third explanation,which tries to connect the racial-separatist tendency of African-AmericanMuslims to what he tern the “historic pattern of racial separatism” in Islam,seems both controversial and problematic.In his introduction, the author touches on the African American’s sensitivityto signification, citing the long debate in African-American circles. Islam, heargues, offered African Americans two consolations: first, a spiritual, communal,and global meaning, which discoMects them in some way from Americanpolitical and public life; second, a source of political and cultural meaning inAfrican-American popular culture. He argues that a black person in America,Muslim or otherwise, takes an Islamic name to maintain or reclaim Africancultural roots or to negate the power and meaning of his European name. Thus,Islam to the black American is not just a spiritual domain, but also a culturalheritage.Part 1, “Root Sources,” contains two chapters and traces the black Africancontact with Islam from the beginning with Bilal during the time of theProphet, to the subsequent expansion of Islam to black Africa, particularlyWest Africa, by means of conversion, conquest, and trade. He also points to animportant fact: the exemplary spiritual and intellectual qualities of NorthAmerican Muslims were major factors behind black West Africans conversionto Islam. The author discusses the role of Arab Muslims in the enslavement ofAfrican Muslims under the banner of jihad, particularly in West Africa, abehavior the author described as Arabs’ separate and radical agenda for WestAfrican black Muslims. Nonetheless, the author categorically absolves Islam,as a system of religion, from the acts of its adherents (p. 21). This notwithstanding,the author notes the role these Muslims played in the educational andprofessional development of African Muslims ...


2010 ◽  
Vol 4 (9) ◽  
pp. 538-550
Author(s):  
Aminah Beverly McCloud

Author(s):  
Eddie S. Glaude

In some ways, Islam best represents the idea of African American religion as a practice of freedom and a sign of difference. For those African Americans who embraced Islam during the modern phase, their conversion was as much an expression of skepticism about Christianity and the United States as it was an acceptance of Islam. ‘African American Islam’ situates African American Islam within a broader global religious imagination that seeks to expand how African Americans understand themselves as members of a global community, an understanding that has shifted and morphed in light of the pressures of Muslim immigration to the United States. Those pressures have involved an insistence on decoupling Islam from the particulars of African American racial experience.


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