Hungama ho gaya? (An uproar has happened?): the erotic threat of female intoxication in Hindi film songs

2021 ◽  
pp. 1-22
Author(s):  
Ajay Gehlawat
Keyword(s):  
2018 ◽  
Vol 46 ◽  
pp. 73-90
Author(s):  
Young chang Son
Keyword(s):  

2003 ◽  
Vol 42 (2) ◽  
pp. 26-34 ◽  
Author(s):  
Hannah Thompson
Keyword(s):  

Meridians ◽  
2007 ◽  
Vol 7 (2) ◽  
pp. 1-21
Author(s):  
Beauty Bragg ◽  
Pancho McFarland
Keyword(s):  

Author(s):  
Barbara Weiden Boyd

Chapter 7 considers a second central theme in Ovid’s Homeric reception, desire, and its evocation through repetition. The erotic tradition of Homeric reception that Ovid inherited can be seen in the longest extant fragment of the elegiac poem Leontion, in which the Hellenistic poet Hermesianax offers a catalogue of ancient poets and the women they loved. In Tristia 1.6, Ovid expands upon the central trope of this catalogue, in which poetry is personified as the beloved object of a poet’s desire. The love-poet, suggests Ovid, strives continually to renew his love by recreating the great loves of past poetry, aspiring always to surpass them. Discussions of Ovid’s treatment of Penelope in Heroides 1, Calypso in Ars amatoria Book 2, and Circe in the Remedia amoris explore Ovid’s continuing interest in figuring himself as a second Homer by imagining Homer as an elegiac poet.


Ethics ◽  
1987 ◽  
Vol 97 (4) ◽  
pp. 881-882
Author(s):  
Carole Pateman

2020 ◽  
Vol 50 (1) ◽  
pp. 66-82
Author(s):  
Rasmus Vangshardt

AbstractTom Kristensen’s travel book En Kavaler i Spanien (1926) was the result of a stay at the Danish explorer Knud Rasmussen’s house, where Kristensen not only met his physical and psychological superior, he also began his artistic development and personal breakdown towards the novel Hærværk (1930). The article argues that with a departure from this context, En Kavaler i Spanien can be read as an original and complex subgenre of the sentimental novel and it suggests that the work might best be categorized as ‘hard sentimentalism’. This subgenre of the travel novel can be identified in the intertwinement of the core thematic of the book — eroticism, medieval Spain and identity loss — with style and form. The paradoxical generic notion of ‘hard sentimentalism’ is used to connect medieval Spain with the erotic, but in an increasingly dangerous way, which threatens the traveler’s identity by increasing homosexual attraction and opening an abyss of degeneration and distorted emptiness behind the flirt.


2021 ◽  
pp. 000332862110238
Author(s):  
Thomas Bohache

The thesis of this paper is that gratitude is “hard-wired” into the very fiber of our being. Humans were created in the image and likeness of God, and God was thankful for what God had created. Thus, if we are the imago Dei, we must feel gratitude as God did. The author suggests that one of the key components of the imago Dei is the Erotic, explaining that the Erotic is more than what we do sexually; on the contrary, it adds texture and fiber to every area of our lives, resulting in passion, com/passion, and mutuality. It inspires us to reach beyond ourselves to others, as Jesus directed his disciples to do when he said, “Love your neighbor as yourself,” and as he demonstrated with his inclusive, healing touch. Using feminist and queer theology and biblical interpretation, Bohache demonstrates that the Other is our neighbor and that our gratitude must extend to those who are unlike ourselves. Often, marginalized or oppressed people have the ability to express gratitude in extraordinary ways, simply by virtue of what they have experienced as the Other. The author describes some paradigms that have been proposed for accessing gratitude and thus tapping into our imago Dei, concluding with how we might still empower gratitude, com/passion, and mutuality in the midst of a pandemic.


Sign in / Sign up

Export Citation Format

Share Document