This chapter looks and listens for queer traces of lesbian sexuality in the archives of American silent film comedies, from 1894 to 1919. Like sexuality, laughter is arousing, ambiguous, and often difficult to understand out of context. Focusing on A Florida Enchantment (1914) and Phil-for-Short (1919), as well as several very early slapstick film comedies, the chapter pursues queer laughter as a historiographic method. It argues that potential queer subtexts emerge in tense conflict with their juxtaposition to offensive representations of blackface minstrelsy, patriarchal sexism, and capitalist class ideology. At once amusing and disturbing in their sexuality effects, these films provoke new intersectional strategies in queer critical reading.
Alan Bilton, Silent Film Comedy and American Culture
