How to Recover Reality. Neo-Romantic Irony in Post-Postmodern American Fiction

Even though transcendentalism never ceased to be present in American culture, during the first decade of the twenty-first century, the gaze of artists and theorists turned to the ideas of the American Renaissance with a hope that had no place during the reign of postmodern irony. With this in mind, the purpose of this article is to discern the adequacy of Emerson’s philosophy for the recovery of realism through the transcendence of language and a new use of Romantic irony. The previous analysis will take us to the New Sincerity movement. The writers of the generation that followed in the wake of David Foster Wallace’s acted as a bridge between the postmodern and the post-postmodern narrative of the beginning of the new millennium. These young writers based their fiction on a critique of institutionalized irony in order to pave the way for the new post 9/11 novel.

The good ol’ days: White identity, racial nostalgia, and the perpetuation of racial extremism

A prevailing theme in White nationalist rhetoric is nostalgia for a time when Whites dominated American culture and had unchallenged status. The present research examines a form of collective nostalgia called racial nostalgia and its association with negative intergroup attitudes and extreme ideologies (White nationalism). In Studies 1 and 2, racial nostalgia was associated with higher racial identity, anti-immigrant attitudes, and White nationalism. Study 2 revealed that racial nostalgia was related to extreme ideologies, in part, through perceptions that immigrants and racial minorities posed realistic/symbolic threats. Study 3 manipulated nostalgia using a writing prompt (“America’s racial past” vs. “games of America’s past”) and an identity prime (prime vs. no prime). Racial nostalgia was higher in the racial prompt versus the games prompt condition, regardless of identity prime. Furthermore, there were significant indirect effects of the nostalgia manipulation on support for anti-immigrant policies and endorsement of White nationalism through increased racial nostalgia and its association with perceived threats. These findings show that racial nostalgia can be a maladaptive form of collective nostalgia linked to a sense of loss and threat, and can make people sympathetic to extreme racial ideologies.

Ayad Akhtar’s American Dervish: Analysis and Revaluation

Apparently the best and yet the most famous work by Ayad Akhtar is American Dervish which was published in 2012. It has gained quick attention, but not by many, as a debut novel about the identity issue. Yet, no studies have been devoted to studying the novel from an analytical point of view of Pakistani-American migrants’ issues in America, in general. However, the novel has received some attention, there remain some aspects, in our view, and an essential aspect amongst them is the analytical study of the novel, which is not explored yet. In general migrants to new countries will usually face difficulty and especially if they are followers of a different religion. Also, the difference in their culture with culture of the country they migrate to will be an obstacle in integrating themselves into the new culture as seen in the character of Hayat Shah’s father; whereas to some extent different for Hayat himself. Hayat befriends a Jewish girl and neglects Islam and similarly his father becomes friend with a Jewish teacher, Nathan. It is not easy for the migrant people to integrate into the American culture and tolerate the other religious beliefs such as Judaism as it is quite a novel experience for them. The migrants obligingly ignore their surrender to their own Islamic religion and assimilate into the Judaism and American culture, which is very difficult. These are the two key aspects that the paper focuses on by analyzing and highlighting the challenges that Hayat Shah and his family members face in America. Akhtar demonstrates the difficulty for the migrant characters between either choosing Islam or Judaism or secularism to be able to live like Americans.

American Muslim Comedians Use of Humour as a Persuasive Agent to Counter Islamophobia

This paper aims to explore the humour discourses of American Muslim standup comedians in response to Islamophobia in the post 9/11 era. There has been extensive research on how American Muslim standup comedy evolved through time, audience perception about Muslim standup comedians and the link between Muslim standup comedy and Islamophobia. For this purpose, three American Muslim standup comedians are selected through purposive sampling; Maz Jobrani, Hasan Minhaj and Muhammad Amer. Discourse analysis is conducted for selected comedians' Grand Netflix videos to study their humour discourses. This research adopts ‘Mikhail Bakhtin’s theory of Carnivalesque’ as a theoretical framework to answer the research question. The findings suggest that comedians employed the incongruous humour function the most, then relief function and rarely employed the superiority function of humour in their standup discourses to counter the subjugation and discrimination Muslims have to suffer in western societies. Muslim comedians are successful in countering Islamophobia through humour but are unable to overthrow it from American culture. Nonetheless, the efforts of American Muslim comedians in highlighting and countering Islamophobia through humour discourses cannot be neglected.

From Eranos to Esalen

This chapter traces the subtle body concept from Jung’s Kundalini seminars to the early work of one of its attendees, Frederic Spiegelberg, who would wind up becoming a professor at Stanford in the 1950s after the Nazis purged German academia of Jewish faculty and staff. Spiegelberg would go on to have a huge impact on a whole generation of Stanford graduates at the very beginning of the counterculture. This chapter focuses on Michael Murphy, the founder of the Esalen Institute in Big Sur, California, which would go on to become a countercultural and later New Age mecca during the 1960s and 1970s. The chapter focuses on the subtle body concept in the work of Spiegelberg and Murphy, zeroing in on the points of difference between the teacher and his student. It ends with the proliferation of subtle body discourses and forms of praxis that spin out of Esalen during and after the counterculture, laying the groundwork for the hyperpopularity of yoga and martial arts in 1990s American culture, which the author grew up in, leading to his interest in writing this book in the first place.

From Eastern European Rooted Immigrant Circle to the Mainstream of American Culture – an Alfred Kazin’s Transition

Tracing the process of immigrants’ transition, it appears that in the twentieth century children of Eastern European, mainly Jewish immigrants were trying to get rid of the European past of their parents as quickly as possible in order to take the full advantage of American culture. This attitude brought serious changes in family values, social ties, and religious traditions among immigrants’ children, which was vividly presented in Kazin’s works. Moving straight toward their American future often meant leaving the Old World heritage and language behind. Many of the immigrant children regarded this type of attitude as another logical step in their development. But although this incorporation into the mainstream of the American culture was fruitful, some of them experienced a deep sense of irreversible loss over their past.

Reframing Aging: A Generation's Work

Changing American culture is challenging and changing attitudes and behaviors around the universal experience of aging especially so. Unless the field of advocates who care about aging issues cultivates a more visible, more informed conversation on older people, it will remain difficult to advance the systemic changes needed to adjust to a society with increased and increasing longevity. Advocates will need to be vigilant to avoid cueing negative attitudes towards aging and aging policies. The Reframing Aging Initiative is a long-term, social change endeavor designed to improve the public's understanding of what aging means and the many contributions older people bring to society. Using evidence-based research, the initiative seeks to teach how to tell an effective story about aging that will promote positive perceptions of aging and reduce ageism.

Americans’ cultural attitudes to group work: Insights from the proverbs

The role of culture, especially the American culture, in group work is relatively understudied because it is often presumed to be no different from the colonialist West, or is alternatively stereotyped as individualistic and competitive. Thus, this paper studies English-language proverbs used in America, as culturally rich symbols, at three levels of discourse, conceptual metaphor, and content to discern what attitude American culture, as represented in the proverbs, has to group work, and what world views and psychosocial factors can inform such attitudes. The findings suggest that American culture is marginally cooperation friendly, with a considerable penchant for individualism and competition. This ambivalence was not simply a proverbial phenomenon, rather a cultural reality because it was observed to be the result of the interplay between heterogeneous conceptual metaphors, representing different world views. Psychosocially, many factors were observed to have molded the American culture’s attitude to group work, noticeably, egoism, distrust, altruism, and socially shared cognition.