Feminist Theory and Christian Theology: Cartographies of Grace. Serene Jones

2003 ◽  
Vol 83 (2) ◽  
pp. 293-294
Author(s):  
Joy Ann McDougall

Theology ◽  
2001 ◽  
Vol 104 (821) ◽  
pp. 380-380
Author(s):  
Ann Loades


2021 ◽  
Vol 50 (1) ◽  
pp. 128-147
Author(s):  
Joel D. Daniels ◽  

In this article, a proposal for Christian theology is constructed in relation to racial injustice. This proposal involves "strategic essentialism," which is informed by feminist theory. This proposal will be explored in light of the views of John Cobb and James Cone.





Author(s):  
Richard J. Plantinga ◽  
Thomas R. Thompson ◽  
Matthew D. Lundberg
Keyword(s):  






2010 ◽  
Author(s):  
Robin Truth Goodman
Keyword(s):  


2017 ◽  
Vol 14 (2-3) ◽  
pp. 251-268
Author(s):  
Yeeyon Im

This essay examines Yeats's Purgatory via A Vision, in an attempt to understand his view of salvation in particular relation to Indian philosophy. Read from a Christian perspective, Purgatory may be a work far from purgation, as T. S. Eliot once complained. I wish to show in this essay that Purgatory indeed places emphasis on purgation by a negative example, if in a different way from the Catholic one. Yeats denies the linear eschatology of Christian theology as well as its doctrine of salvation in eternal heaven. In A Vision, Yeats explains his view of the afterlife of the soul, which involves purgation through ‘the Dreaming Back’. The special treatment of the Old Man renders Purgatory a meta-purgatorial play that mirrors the Dreaming Back of his mother's spirit in the Old Man's, intensifying the theme of purgation. Purgatory effectively dramatizes the inability to forgive and cast out remorse: the impossibility of nishikam karma, or selfless action, to borrow Sanskrit terms, which is essential for Yeatsian salvation. Finally, I would also emphasize Yeats's deviation from the Hindu wisdom, which makes Yeats's vision uniquely his own.



Author(s):  
Anne Whitehead

This book offers a critique of the dominant understanding and deployment of empathy in the mainstream medical humanities. Drawing on feminist theory, it positions empathy not as something that one has or lacks, and needs to accrue, but as something that one does and that is embedded within structural, institutional and cultural relations of power. It aims to provide a critically informed definition of empathy, drawing on phenomenology, in order to counter the vagueness of the term as it has often been used. It questions, too, the assumption that empathy is limited to the clinical relation, looking to a broader and more encompassing definition of the ‘medical’. Combining theoretical argument with literary case studies of Mark Haddon’s The Curious Incident of the Dog in the Night-Time, Pat Barker’s Life Class, Ian McEwan’s Saturday, Aminatta Forna’s The Memory of Love and Kazuo Ishiguro’s Never Let Me Go, this book contends that contemporary fiction is not a vehicle for accessing another’s illness experience, but itself engages critically with the question of empathy and its limits. The volume marks a key contribution to the rapidly evolving field of the critical medical humanities.



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