In “Working Documentary: Labor Photography and Documentary Labor in the Neoliberal Age,” Joseph B. Entin analyzes the work of Milton Rogovin and Allan Sekula. The chapter emphasizes the self-consciousness with which these acclaimed photographers of labor generated new formal strategies to contend with the limitations of conventional documentary realism. Each, he shows, produced forms of labor photography attuned to the conditions of contemporary work and responsive to the widening social and economic forces shaping workers’ experience—and each thereby reanimated, or reworked, the project of photo-documentary for a late industrial, emerging neoliberal context.