scholarly journals AGING AND THE HUMAN SPIRIT: IMAGES, INSIGHTS AND INTERVENTIONS FROM THE ARTS

2018 ◽  
Vol 2 (suppl_1) ◽  
pp. 821-821
Author(s):  
S Bertman
Keyword(s):  
1980 ◽  
Vol 10 (2) ◽  
pp. 147-162 ◽  
Author(s):  
Sandra L. Bertman

The expressive arts - literature, film, song - are mediums for dramatic exposure of human experience with loss which reflect concerns present in the student of any age. Expression of the human spirit is not the exclusive province of the professional artist. Students can respond to the artists' perceptions through art expressions of their own (dialogue, drawing). This paper (1) identifies concerns, consolations and fears of artist and student; (2) illustrates materials and techniques for eliciting feelings and for their expression in aesthetic frameworks; (3) underscores the “mutuality,” - the universality and yet individuality of each mortal experience; (4) sees the arts as a mode of learning to be trusted in its own right; and (5) views the classroom as an appropriate setting for such sharing and study.


2017 ◽  
Vol 7 (2) ◽  
pp. 273-281
Author(s):  
Alice-Maria Safta

Abstract The fusing of arts enriches a spectacular setting for all human feelings to thrive and express themselves. The theatre in the arts and the art in the theatre, a sublime melding of purity and mystery, speaks striking truths for those with ears to hear them. “The floors” of theatres today enjoy classical dramatic pieces, as well as the staging of experiments, which in my opinion are a real necessity for the entire development of the creative human spirit. The need for free speech and expression gives us motivation to explore the meaning of the term “classical”. The latest trends in the art of modern dance are represented by a return to expression and theatricality, the narrative genre, as well as the historical account of the development of the plot, the restoration interventions in spoken word, chanting and singing; the concepts of art are undergoing a full recovery.


Author(s):  
Cecil E. Hall

The visualization of organic macromolecules such as proteins, nucleic acids, viruses and virus components has reached its high degree of effectiveness owing to refinements and reliability of instruments and to the invention of methods for enhancing the structure of these materials within the electron image. The latter techniques have been most important because what can be seen depends upon the molecular and atomic character of the object as modified which is rarely evident in the pristine material. Structure may thus be displayed by the arts of positive and negative staining, shadow casting, replication and other techniques. Enhancement of contrast, which delineates bounds of isolated macromolecules has been effected progressively over the years as illustrated in Figs. 1, 2, 3 and 4 by these methods. We now look to the future wondering what other visions are waiting to be seen. The instrument designers will need to exact from the arts of fabrication the performance that theory has prescribed as well as methods for phase and interference contrast with explorations of the potentialities of very high and very low voltages. Chemistry must play an increasingly important part in future progress by providing specific stain molecules of high visibility, substrates of vanishing “noise” level and means for preservation of molecular structures that usually exist in a solvated condition.


PsycCRITIQUES ◽  
2007 ◽  
Vol 52 (31) ◽  
Author(s):  
Paul J. Silvia
Keyword(s):  

2002 ◽  
Author(s):  
David Hargrove ◽  
Nancy S. Elman
Keyword(s):  

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