Epilogue
The epilogue tracks the aftermath of the premiere of Rothko Chapel and focuses on the subsequent recording of the piece and its role in the life of the Chapel. The record managed to extend the circulation of both Feldman’s music and the chapel but also lead to conflicts between the de Menils’s and Feldman in his new position as composition professor at the University of Buffalo. It concludes with a broader reflection on the place of religion in the study of experimental music and notes the ways in which the Rothko Chapel event exemplifies the process by which events are deemed religious, that is taken as experiences are freighted with spiritual meaning.