Chapter XVI. Rachel Ray’s First Love-Letter

Author(s):  
Anthony Trollope
Keyword(s):  

On the Monday evening, after tea, Mrs. Prime came out to the cottage. It was that Monday on which Mrs. Rowan and her daughter had left Baslehurst and had followed Luke up to London. She came out and sat with her mother and sister...

2020 ◽  
Vol 65 (2) ◽  
pp. 97-122
Author(s):  
Doina Modola

"The Ambivalence of a Masterpiece: A Lost Letter by I.L. Caragiale. A Lost Letter by I.L. Caragiale, a landmark in the history of Romanian theatre, has enjoyed throughout time numerous critical interpretations, without losing its dramatic potential. We intend to study the comic mechanism through a variety of dramatic strategies: the diversity of the scenes, the circular actions, the baffling succession of situations, starting with the loss of the compromising love letter. This play features the actors of a political electoral farce overflowing with a vaudeville-like comic, that in conjunction with parody, is targeting the ideological clichés and verbal stereotypes. A logically inconceivable humour that borders the absurd. The purpose of this kind of humour, unleashed during comical situations, is not hiding the immorality, the demagogy of a socio-political reality put under the critical scope of the author. The joyful, bitter or cruel laughter are being in a continuous competition here. The humour is thus the element that subverts the values of political commitment. Keywords: I.L. Caragiale, Romanian theatre, farce, vaudeville, humour, comedy, ambivalence. "


2007 ◽  
Vol 41 (3) ◽  
pp. 53-53
Author(s):  
Christopher Southgate
Keyword(s):  

2021 ◽  
Vol 8 (1) ◽  
pp. 143-145
Author(s):  
Lisa D. Lenoir
Keyword(s):  
New York ◽  

Review of: Dressed in Dreams: A Black Girl’s Love Letter to the Power of Fashion, Tanisha C. Ford (2019) New York: St Martin’s Press, 256 pp., ISBN 978-1-25017-353-9, h/bk, $27.99


1977 ◽  
Vol 28 (4) ◽  
pp. 58
Author(s):  
Jim Barnes
Keyword(s):  

2010 ◽  
Vol 14 (2) ◽  
pp. 23-28
Author(s):  
Andrew Culver

Culver presents his observations and reactions to the first MNM Festival, and then opens the suggestion box with his views on the steps MNM should take to solidify it's survival and relevancy. Finally, he compares the festival to it's potential place in the history of culture, technology and music since Monteverdi/Gutenberg through Cage/McLuhan and into the future.


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