The Trouble with Calasiris

Mnemosyne ◽  
2019 ◽  
Vol 72 (2) ◽  
pp. 229-249
Author(s):  
Lawrence Kim

AbstractIn this article, I take a new look at the problem of Calasiris’ ‘duplicity’ as depicted in the long autobiographical narrative he delivers to Cnemon in Books 2-5 of Heliodorus’Aethiopica. A close parallel for Calasiris’ self-presentation can be found in an unlikely source: the medical case histories of the doctor Galen. Through a comparison of Calasiris’ narrative with those of Galen, I demonstrate that both narrators employ similar ‘deceptive’ strategies to showcase their observational and deductive skills to their audience. Calasiris’ foregrounding of such ‘rational’ methods and his downplaying of the prophetic power that others attribute to him suggest that, despite theAethiopica’s religious trappings, its ideal reader is a secular one.

Author(s):  
Megan Coyer

This chapter argues that the ‘tale of terror’ may be read as a form of hybrid ‘medico-popular’ writing to be classed alongside non-fiction medical texts such as Robert Macnish’s The Anatomy of Drunkenness (1827) and The Philosophy of Sleep (1830), as well as one of the most canonical ‘literary’ medical case histories, Thomas De Quincey’s Confessions of an English Opium-Eater (1822). The first section introduces Macnish’s first medico-literary project in relation to De Quincey’s Confessions, before moving on to an examination of the development of the tale of terror in relation to the type of popular medical material previously published in monthly magazines and the case history tradition. The chapter closes by discussing the engagement with the genre by three medical contributors to Blackwood’s, the surgeons, Robert Macnish (1802–37), John Howison (1797–1859) and William Dunlop (1792–1848).


1997 ◽  
Vol 127 (11) ◽  
pp. 1045 ◽  
Author(s):  
William J. Donnelly
Keyword(s):  

2009 ◽  
Vol 195 (2) ◽  
pp. 162-162 ◽  
Author(s):  
Fiona Subotsky

Joseph Sheridan Le Fanu (1814-1873) is another literary Dubliner. Having studied law at Trinity College, he became a journalist and author, famous for both his sensationalist novels and his supernatural tales. For In a Glass Darkly Le Fanu used a technique common in gothic fiction by having a narrator/editor who presents past documents, in this instance of mysterious medical case histories from the papers of the nowdeceased Dr Hesselius. The latter is a European ‘metaphysical physician’ with Swedenborgian leanings who likes to investigate curious psychological phenomena. He considerably resembles the later Professor Van Helsing from Bram Stoker's Dracula.


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