HORTON, Robin, Patterns of Thought in Africa and the West: Essays on Magic, Religion and Science, Cambridge: Cambridge University Press, 1993, xi, 471 pp., US$59.95, 0 521 36087 0

1996 ◽  
Vol 26 (1) ◽  
pp. 73-80
Author(s):  
Brad Weiss
2017 ◽  
Vol 1 (1) ◽  
Author(s):  
Martin Jander

Jeffrey Herf, Undeclared Wars with Israel: East Germany and the West German Far Left, 1967–1989 (Cambridge: Cambridge University Press, 2016).ISBN 978-1107089860, 500 pp.


Janus Head ◽  
2020 ◽  
Vol 18 (1) ◽  
pp. 53-66
Author(s):  
Hub Zwart ◽  

This paper subjects Dan Brown’s most recent novel Origin to a philosophical reading. Origin is regarded as a literary window into contemporary technoscience, inviting us to explore its transformative momentum and disruptive impact, focusing on the cultural significance of artificial intelligence and computer science: on the way in which established world-views are challenged by the incessant wave of scientific discoveries made possible by super-computation. While initially focusing on the tension between science and religion, the novel’s attention gradually shifts to the increased dependence of human beings on smart technologies and artificial (or even “synthetic”) intelligence. Origin’s message, I will argue, reverberates with Oswald Spengler’s The Decline of the West, which aims to outline a morphology of world civilizations. Although the novel starts with a series of oppositions, most notably between religion and science, the eventual tendency is towards convergence, synthesis and sublation, exemplified by Sagrada Família as a monumental symptom of this transition. Three instances of convergence will be highlighted, namely the convergence between science and religion, between humanity and technology and between the natural sciences and the humanities.


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