Transcendence and Understanding. Gadamer and Modern Orthodox Hermeneutics in Dialogue, written by Zdenko Š. Širka

Exchange ◽  
2021 ◽  
Vol 50 (3-4) ◽  
pp. 309-310
Author(s):  
Pavol Bargár
Keyword(s):  
Experiment ◽  
2019 ◽  
Vol 25 (1) ◽  
pp. 131-144
Author(s):  
Wendy Salmond

Abstract This essay examines Russian artist Viktor Vasnetsov’s search for a new kind of prayer icon in the closing decades of the nineteenth century: a hybrid of icon and painting that would reconcile Russia’s historic contradictions and launch a renaissance of national culture and faith. Beginning with his icons for the Spas nerukotvornyi [Savior Not Made by Human Hands] Church at Abramtsevo in 1880-81, for two decades Vasnetsov was hailed as an innovator, the four icons he sent to the Paris “Exposition Universelle” of 1900 marking the culmination of his vision. After 1900, his religious painting polarized elite Russian society and was bitterly attacked in advanced art circles. Yet Vasnetsov’s new icons were increasingly linked with popular culture and the many copies made of them in the late Imperial period suggest that his hybrid image spoke to a generation seeking a resolution to the dilemma of how modern Orthodox worshippers should pray.


1991 ◽  
Vol 30 (2) ◽  
pp. 222
Author(s):  
Barbara Strassberg ◽  
Samuel C. Heilman ◽  
Steven M. Cohen

Author(s):  
Marc B. Shapiro

This concluding chapter addresses the issue of Rabbi Jehiel Jacob Weinberg's lasting importance. Because Weinberg's form of Orthodoxy has been forced on to the defensive in recent years, it is no surprise that the so-called Modern Orthodox look towards him as a guiding light in their encounter with modernity. His name is often brought up in Modern Orthodox writings, for he identified with the ideals of this ‘movement’. He believed in a halakhah which responded to social change wherever possible, and was frightened by the rising extremism in Orthodoxy. Therefore, the chapter reveals that the Modern Orthodox claim Weinberg as one of their own, and draw inferences from his published opinions to cases which were not yet relevant in his time. As such, Weinberg stands out as an icon of Modern Orthodoxy.


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