Art Pedagogy and Animal Ethics

2020 ◽  
pp. 298-322
Keyword(s):  
2017 ◽  
Author(s):  
Helena Rocklinsberg ◽  
Mickey Gjerris ◽  
Anna Olsson

2019 ◽  
Author(s):  
Thomas Bøker Lund ◽  
Sara Vincentzen Kondrup ◽  
Peter Sandøe

2020 ◽  
Vol 11 (1) ◽  
pp. 110-113
Author(s):  
Smilena Smilkova ◽  

The proposed material examines the creative task of students majoring in Social Pedagogy at the University „Prof. Dr. Assen Zlatarov“ in Burgas, and studying the discipline Art Pedagogy – Part 1 – Music. In the course of the lecture course students get acquainted with the elements of musical expression, as a means of figurative representations and impact of music, with different techniques concerning individual musical activities, with the endless and diverse opportunities that music provides in the use of art pedagogy for social work teachers.Verbal interpretation of music is a necessary component when working with children with special educational needs, at risk and in the norm. Looking at Tchaikovsky’s short and extremely figurative piano piece „The Sick Doll“ from his charming „Children’s Album“, in the form of a short story, tale or essay, students express their personal vision, feeling and transformation of the musical image. The aim of the task is to transcribe the sound image into a verbal one. This requires speed, flexibility and logic in thinking, through imagination and creativity in its manifestation. Children love to listen, especially when they are involved. In search of the right way to solve problems and situations, future social educators could successfully benefit from the conversion of sound into words, according to the needs and deficits of the individual or group.


Author(s):  
Ihor Koliada

In the article «The role of O. Dovzhenko in the formation and becoming of M. Vingranovskyias a film director» I. Koliada highlights facts from biography of the outstanding poet, film director, scriptwriter and actor M. Vingranovskyi; was made an attempt to analyze the role of influence on the formation of his personality as a film director, prominent Ukrainian filmmaker O. P. Dovzhenko. The autor analyzes the peculiarities of pedagogy of O. Dovzhenko, reveals the peculiarities of organization as an artist of the educational process at the film director’s course; were supplemented with new facts the biographies of both O. Dovzhenko and M. Vingranovskyi. Keywords: cinema art, film direction, scriptwriter, cinema art pedagogy, film creativity, creativesearch


Author(s):  
Steve Cooke

AbstractAnimal agriculture predominantly involves farming social animals. At the same time, the nature of agriculture requires severely disrupting, eliminating, and controlling the relationships that matter to those animals, resulting in harm and unhappiness for them. These disruptions harm animals, both physically and psychologically. Stressed animals are also bad for farmers because stressed animals are less safe to handle, produce less, get sick more, and produce poorer quality meat. As a result, considerable efforts have gone into developing stress-reduction methods. Many of these attempt to replicate behaviours or physiological responses that develop or constitute bonding between animals. In other words, humans try to mitigate or ameliorate the damage done by preventing and undermining intraspecies relationships. In doing so, the wrong of relational harms is compounded by an instrumentalisation of trust and care. The techniques used are emblematic of the welfarist approach to animal ethics. Using the example of gentle touching in the farming of cows for beef and dairy, the paper highlights two types of wrong. First, a wrong done in the form of relational harms, and second, a wrong done by instrumentalising relationships of care and trust. Relational harms are done to nonhuman animals, whilst instrumentalisation of care and trust indicates an insensitivity to morally salient features of the situation and a potential character flaw in the agents that carry it out.


Author(s):  
Bastian Thomsen ◽  
Jennifer Thomsen ◽  
Kellen Copeland ◽  
Sarah Coose ◽  
Emily Arnold ◽  
...  
Keyword(s):  

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