Intertextuality in the Tales of Rabbi Nahman of Bratslav

Author(s):  
Marianne Schleicher
Keyword(s):  
2008 ◽  
Vol 26 (1-2) ◽  
pp. 29-48
Author(s):  
Justin Lewis

In several passages in the tales and teachings of Rebbe Nahman of Bratslav, the divine undergoes a process of gender transformation. “The holy one blessed be he”, becomes female, and the Shekhinah temporarily takes on a male persona. Characterizations of Hasidic thought as androcentric generally apply to R’ Nahman. There is an accepted hierarchy and polarization of gender which informs much of his oeuvre. This article argues, however, that in these particular passages R’ Nahman disrupts this hierarchy. Whereas Kabbalah and Hasidism normally view the feminine as an outer “garment” for the divine masculine, in these passages the devotee discovers the hidden inwardness of God, which turns out to be feminine. This radical imagery is nourishing for followers of R’ Nahman’s controversial brand of Hasidism. In particular, it provides a theological justification for their unexpectedly intimate encounters with the divine, as they engage in the meditative practice of personal, solitary prayer according to R’ Nahman’s directives.


1981 ◽  
Vol 61 (2) ◽  
pp. 225-227
Author(s):  
Steven D. Kepnes
Keyword(s):  

1988 ◽  
Vol 81 (2) ◽  
pp. 193-213 ◽  
Author(s):  
Steven D. Kepnes

In speaking about his objective in translating the tales of Nahman of Bratslav in July of 1906 Martin Buber said, “In general it is not my goal to gather new facts, but rather solely to give a new interpretation of their coherence, a new synthetic presentation of Jewish mystics and their creations.” Before his death, in responding to harsh criticism of his translations of the Hasidic tales, Buber referred to his work as an attempt “to convey to our own time the force of a former life of faith.” His task, as Gershom Scholem once pointed out in derision, was not primarily historical; it was not a process of fact gathering, but it was hermeneutical. He aimed to present a new interpretation of the Hasidic tales of the past which would render them relevant to the crisis of the contemporary reader.


2019 ◽  
Vol 27 (2) ◽  
pp. 180-209
Author(s):  
Jonatan Meir

AbstractOne of the distinctive literary genres of Bratslav Hasidism is the shir yedidot (Song of Endearment), a mystical poem concerning the stature of the soul of R. Naḥman of Bratslav. These poems, still sung by Hasidim today, contain esoteric traditions that reveal the multiple voices within Bratslav Hasidism. This article traces the development of this form from the beginning of the nineteenth century until the present, and argues that changes in emphasis within these songs reflect shifts in Bratslav theology over the years. The study thus presents a more complex historical picture of Bratslav Hasidism, which has usually been seen as one monolithic unit.


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