Chapter Seven. The Ethiopic Alexander Romance

Keyword(s):  
1979 ◽  
Vol XXX (119) ◽  
pp. 306-307
Author(s):  
THORLAC TURVILLE-PETRE
Keyword(s):  

2017 ◽  
pp. 197-212 ◽  
Author(s):  
Milos Zivkovic

The motif of Alexander?s visit to Jerusalem in the Serbian Alexander Romance is distinctive in the context of Classical, Byzantine and Hebrew literature. The role of Jerusalem as a sacred space is analyzed in accordance with A. Lidov?s theory of hierotopy, and the symbols of the Heavenly and the Earthly Jerusalem in the Serbian Alexander Romance are considered in relation to the various theological and ideological points of view.


2019 ◽  
pp. 87-100
Author(s):  
Donatel Restani

This chapter consists of three examples of sound and music tales in Alexander’s life as transmitted in Italian medieval literature, and a coda pertaining to the early modern era. It deals with the Italian segment of Alexander’s musical legacy in medieval European literature, elaborated from vulgarisations and adaptations of the so-called Alexander Romance. Three main topics are focused on: human voice vs non-human voice, music education for a king and sonorous mirabilia. Two features are introduced: the significant role of music in shaping Alexander’s knowledge and his image as a chivalric king; the impact of the literature on Alexander upon 13th–14th century travellers by Europeans in Asia. The coda concerns the possibility that Alexander was imitated as idealised patron of the sciences and arts in the musical performance (intermedi) organised for the 1589 Florentine wedding of Ferdinand I de’ Medici and Christina of Lorraine.


Author(s):  
Su Fang Ng

This chapter examines how the Scottish Alexander Romance, Buik of King Alexander the Conquerour, raises issues that are important to the ambitions of James IV of Scotland: religious crusade and dynastic expansion through marriage. Composed in 1460 and attributed to Gilbert Hay, Buik features a crusading Alexander the Great fighting Muslim enemies. The novel’s representation of Alexander’s enemies as Muslims references European fears of the growing power of the Ottomans. James IV wanted both to unite England and Scotland through his marriage and to unite Christendom against the Turks. The chapter discusses Alexander’s transformation from crusader into a merchant in the East, suggesting that it points to the underlying economic basis of the revival of crusading rhetoric—Ottoman control of the spice trade. These two themes—union and crusade—were continuing preoccupations of later Stuarts, including James VI of Scotland.


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