The Use of Sacred Story in a Psychiatry Spirituality Group

2001 ◽  
Vol 55 (4) ◽  
pp. 353-364 ◽  
Author(s):  
Robert A. Kidd ◽  
Virginia Maripolsky ◽  
Patricia P. Smith
2007 ◽  
Vol 36 ◽  
pp. 11-26 ◽  
Author(s):  
Jale Parla

AbstractThe Turkish novel became a national chronotope proper with the founding of the Republic in 1923 and the emergent conception of the national geography following the War of Independence (1919-1922). This was the Anatolian territory, with Ankara as the new capital of the nation instead of İstanbul which had been the Ottoman Empire's center for almost five centuries. Anatolia became the motherland on which the national consciousness of the new nation would be inscribed. In the novels of the republican era, Anatolian iconography and mythography illustrate how this setting became a persistent element of narrative structure as a significant topos in both senses of the word: as place and theme. An inquiry into the permutations of the theme of Anatolia since the War of Independence will reveal the changing attitudes and ideas related to Turkish nationalism and its most outstanding component, the cult of the father personified by Atatürk. This essay, however, does not only aim at a survey of an ideology's history via literature; it also investigates the Anatolian iconography and mythography, as they figure in the Turkish novel of the republican era, and touches upon the various narrative strategies that major Turkish novelists have employed in their search for the right form for this important content, the right form to either reinforce or undermine a sacred story.


2014 ◽  
Vol 70 (1) ◽  
Author(s):  
Anastasia Apostolides ◽  
Johann-Albrecht Meylahn

Like some fantasies (including Lord of the rings and the Chronicles of Narnia), the Harry Potter series by J.K. Rowling makes a social comment on a particular dominant discourse within a particular sociocultural context. One of Rowling’s social comments is the dehumanising and fragmenting effect of the power and consumerist discourse in Western society – where great value is placed on what a person owns. An example of this theme in the series is the characters of the Dursleys, as prime examples of ‘Muggles’. Although it is not power that Muggles seek, but rather to fit in by having what the Jones’ have, which fits in well with the capitalist discourse as developed by Lacan – as discussed by Meylahn. Rowling juxtaposes this discourse with the alternative sacred story of the Christ discourse (community and fellowship are more important than material possessions), that she has subtly woven into her narrative. This alternative discourse challenges adolescents’ identity and spirituality by offering the Christ discourse as an alternative discourse to the dominant discourse of consumerism and power they live in. In his article, ‘Holistic redemptive pastoral ministry in the fragmented transit hall of existence’, Meylahn (2010) speaks of a ‘wounded Christ’ healing a ‘wounded community’ and this ties in well with the Christ discourse presented by Rowling. Meylahn gives us a useful hermeneutical tool to interpret the actions of some of Rowling’s characters. Hence, Meylahn’s ‘wounded Christ’, will be brought into conversation with the actions of some of Rowling’s characters. By bringing Rowling into conversation with Meylahn, pastors and youth workers are presented with an ideal tool to help guide adolescents towards a more spiritual life that is not bound to the dehumanising discourse of consumerism and power.


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