John Macquarrie, Principles of Christian Theology

Theology ◽  
2020 ◽  
Vol 123 (4) ◽  
pp. 309-310
Author(s):  
Brian Cooper
Author(s):  
Keith Ward

John Macquarrie (1919–2007), a Fellow of the British Academy, was the foremost Anglican systematic theologian of the twentieth century. His many books cover a wide range of topics, from studies of existentialist philosophy to expositions of systematic Christian theology, writings on mysticism and world religion, and analyses of ethical thought. Macquarrie was always a theologian of the church, using a philosophical vocabulary that united philosophical idealism, existentialism, and Anglo-Saxon analytical philosophy in an original and fruitful way. His masterpiece was the 1966 Principles of Christian Theology, which works through almost every aspect of Christian doctrine in the light of the concepts of human nature and of God that he had forged from idealism, from Martin Heidegger, and from an increasingly sacramental and mystical approach to Christian faith. In 1970, Macquarrie was offered, without his prior knowledge, the Lady Margaret Chair of Divinity at Christ Church, University of Oxford. He received various honours that testify to the high regard in which he was held both in America and in Britain.


1985 ◽  
Vol 21 (1) ◽  
pp. 21-37
Author(s):  
W. D. Hudson

At the beginning of his book, Principles of Christian Theology, John Macquarrie says that theology ‘implicitly claims to have its place in the total intellectual endeavour of mankind’. The question I want to discuss is this: in what terms, if any, can that claim be justified?


Author(s):  
Richard J. Plantinga ◽  
Thomas R. Thompson ◽  
Matthew D. Lundberg
Keyword(s):  

2017 ◽  
Vol 14 (2-3) ◽  
pp. 251-268
Author(s):  
Yeeyon Im

This essay examines Yeats's Purgatory via A Vision, in an attempt to understand his view of salvation in particular relation to Indian philosophy. Read from a Christian perspective, Purgatory may be a work far from purgation, as T. S. Eliot once complained. I wish to show in this essay that Purgatory indeed places emphasis on purgation by a negative example, if in a different way from the Catholic one. Yeats denies the linear eschatology of Christian theology as well as its doctrine of salvation in eternal heaven. In A Vision, Yeats explains his view of the afterlife of the soul, which involves purgation through ‘the Dreaming Back’. The special treatment of the Old Man renders Purgatory a meta-purgatorial play that mirrors the Dreaming Back of his mother's spirit in the Old Man's, intensifying the theme of purgation. Purgatory effectively dramatizes the inability to forgive and cast out remorse: the impossibility of nishikam karma, or selfless action, to borrow Sanskrit terms, which is essential for Yeatsian salvation. Finally, I would also emphasize Yeats's deviation from the Hindu wisdom, which makes Yeats's vision uniquely his own.


2020 ◽  
Vol 4 (3) ◽  
pp. 284-308
Author(s):  
James A. Francis

The Defense of Holy Images by John of Damascus stands as the archetypal exposition of the Christian theology of images. Written at the outbreak of the Iconoclastic Controversy, it has been mostly valued for its theological content and given scholarly short shrift as a narrowly focused polemic. The work is more than that. It presents a complex and profound explication of the nature of images and the phenomenon of representation, and is an important part of the “history of looking”in western culture. A long chain of visual conceptions connects classical Greek and Roman writers, such as Homer and Quintilian, to John: the living image, the interrelation of word and image, and image and memory, themes elaborated particularly in the Second Sophistic period of the early Common Era. For John to deploy this heritage so skillfully to the thorny problem of the place of images in Christianity, at the outbreak of a violent conflict that lasted a further 100 years after his writing, manifests an intellect and creativity that has not been sufficiently appreciated. The Defense of Holy Images, understood in this context, is another innovative synthesis of Christianity and classical culture produced by late antique Christian writers.


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