Abstract
This paper is concerned with the ways in which mediating spaces like film festivals function as alternative public
spheres when social movements escalate, arguing that the Istanbul International Film Festival and Documentarist right before,
during and following the Gezi protests turned into politically and socially inclusive spaces for marginalised groups in Turkey. To
account for how audiences and organisers aimed to transform these mediating spaces into socially inclusive and heterogeneous
outlets during the Gezi protests, the paper relies on an audience ethnography in the sites of these film festivals from 2013 until
2017 including participant observation, go-alongs and in-depth interviews with audiences, film crews and organizers. Although the
spaces of these two film festivals functioned differently, the article shows that film festival spaces generally transformed into
cosmopolitan outlets in Istanbul in this period, opening room for a dialogue between marginalised and dominant groups, which was
fed by social movements
‘Cinema as a common activity’
