AbstractThe publication in 1908 of The making of Ireland and its undoing, 1200–1600 by the London-based Irish historian, Alice Stopford Green, provoked a controversy that reveals much about the deepening political tensions at the heart of historical practice in the decade before 1916. Stopford Green took a deliberately controversial approach to the rewriting of medieval Ireland that triggered a bombardment of both positive and negative reactions. Supporters of Irish home rule applauded the work for its innovative analysis and contemporary relevance. But the book elicited a flurry of exasperation from a united front of ‘history men’, who dismissed Stopford Green and her work as ‘political’ and largely fictitious. Anticipating the reaction from a profession that was predominantly sympathetic to a unionist interpretation, Stopford Green had a well-prepared plan that harnessed both her gender and her transnational networks of influence to maximise the dissemination of her radical reimagining of the late medieval Gaelic world. By understanding these deeper strategies of defiance, Alice Stopford Green's history might be reclaimed as a key intervention in the structuring of both Ireland's national tradition and collective consciousness in preparation for independence.
Climate, disease and society in late-medieval Ireland
