The Wind from the East: French Intellectuals, the Cultural Revolution, and the Legacy of the 1960s (review)

2012 ◽  
Vol 23 (3) ◽  
pp. 756-759
Author(s):  
Knox Peden





1967 ◽  
Vol 32 ◽  
pp. 3-36 ◽  
Author(s):  
Charles Neuhauser

The recent events in China are surely drama of the highest order, but at times it has seemed that the actors themselves were not entirely sure who was writing the lines. In fact what we seem to be witnessing is a form of commedia dell'arte: improvisation within a certain tacitly understood framework. The cultural revolution appears to have taken new turns and to have broken into new channels precisely because the actors have been faced with new and unforeseen circumstances as it has run its course. No faction in the struggle has been able to impose its will on the Party or the country by fiat; new devices and stratagems have been brought into play in what has looked like desperate attempts to gain the upper hand. It has clearly been a battle of the utmost seriousness, but there appear to have been limitations on the resultant chaos. Economic disorganisation does not seem to have occurred on the scale of the later stages of the Great Leap Forward. Nor, despite the clashes, confusion and bitter infighting, have new centres of power, totally divorced from the Chinese Communist Party (CCP) itself, arisen. The cultural revolution has been pre-eminently a struggle within the Party.



2011 ◽  
Vol 7 (2) ◽  
pp. 211-246 ◽  
Author(s):  
Yinghong Cheng

Abstract Represented by the Barisan party and mainly participated in by ethnic Chinese, the leftist movement in Singapore was the thrust behind the island’s independence (1965) and the major political opposition to the ruling PAP (People’s Action Party). But within several years after independence, the movement disappeared as the PAP’s one-party regime grew in strength. Based on the leftist publications of that period, this article argues that Maoist China’s influence, the Cultural Revolution in particular, significantly contributed to the decline of the movement. The radicalization and dissolution of Singapore’s leftist movement was one example of the destructive impact of Maoism and the Cultural Revolution on overseas Chinese politics in the 1960s.





2016 ◽  
Vol 75 (4) ◽  
pp. 891-911
Author(s):  
Julia Lovell

This article traces the intellectual evolution of Zhang Chengzhi (b. 1948), a contemporary Chinese poet, novelist, essayist, archaeologist, and ethnographer, from Mao-era radicalism to Islamic internationalism. Allegedly the inventor of the term “Red Guard” in the context of the Cultural Revolution, he has remained an unapologetic defender of Mao and of the “Red Guard spirit” since the 1960s. In 1987, meanwhile, Zhang converted to an impoverished and ascetic sect of Chinese Islam, the Jahriyya, and since the 2000s he has become one of China's most prominent spokesmen for global Islam. This article explores how Zhang has reconciled his zeal for Cultural Revolution Maoism, on the one hand, with Pan-Islamist positions on the other. Although Zhang's stance suffers from undoubted contradictions and inconsistencies, his career and beliefs illuminate the complexities of the legacy of Mao's and the Cultural Revolutions, of Chinese intellectual dissidence, and of the contemporary trajectories of Chinese internationalism and global Islam.



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