Contesting Chineseness

Nearly eleven million Chinese migrants live outside of China. While many of these faces of China’s globalization headed for the popular Western destinations of the United States, Australia and Canada, others have been lured by the booming Asian economies. Compared with pre-1949 Chinese migrants, most are wealthier, motivated by a variety of concerns beyond economic survival and loyal to the communist regime. The reception of new Chinese migrants, however, has been less than warm in some places. In Singapore, tensions between Singaporean-Chinese and new Chinese arrivals present a puzzle: why are there tensions between ethnic Chinese settlers and new Chinese arrivals despite similarities in phenotype, ancestry and customs? Drawing on rich empirical data from ethnography and digital ethnography, Contesting Chineseness investigates this puzzle and details how ethnic Chinese subjects negotiate their identities in an age of contemporary Chinese migration and China’s ascent.

Equality of Access? Chinese Women Practicing Chan and Transnational Meditation in Contemporary China

This paper examines how the Buddhist revival, the Chan revival, and recent popularity of transnational meditation practices have facilitated Chinese women practicing Buddhist meditation in contemporary China. With the influence of the opening of China and growing transnational networks, there has been an increasing number of Han Chinese monastics and lay people practicing transnational meditation, such as samādhi, vipassanā and mindfulness, in the past two decades. Despite the restriction of accessing Chan halls at monasteries, some Chinese nuns and laywomen have traveled to learn meditation in different parts of China, and international meditation centers in Southeast Asia to study with yogis from all over the world. Surprisingly some returned female travelers have taken significant roles in organizing meditation retreats, and establishing meditation centers and meditation halls. Through examining some ethnographic cases of Chinese nuns and laywomen, this paper argues that the transnational meditation movement has an impact not only on gender equality, especially concerning Chinese women practicing meditation, but also on the development of contemporary Chinese Buddhism. The significant role of Chinese female meditators in promoting Buddhist meditation can reflect a trend of re-positioning the Chan School in contemporary China.

Paramārtha’s Ultimate Truth and the Development of Chinese Buddhism’s Ultimate Truth

This paper discusses the development of ideas of the ultimate in the thought of Chinese Buddhism in the Northern and Southern Dynasties. The concept of ultimate truth is, along with that of conventional truth, a core concept in Mahāyāna Buddhism. During the Sui Dynasty, Chinese Buddhism developed the unique perspective of the Three Truths, the foundation for which was formed during the Southern and Northern Dynasties. This begins with Jie jie Jing 解節經 (in full, Foshuo Jiejie Jing 佛說解節經) by Paramārtha (499–569), which is a partial translation of Saṃdhinirmocanasūtra and presents the theory of ultimate truth (paramārtha) to Chinese Buddhists. Through a comparison of Jiejie Jing with other Chinese and Tibetan translations of Saṃdhinirmocana-sūtra, we establish Paramārtha’s thoughts on the ultimate. The relationship between Paramārtha’s thought on the ultimate and the development of the Three Truths is evaluated in a comparison of Paramārtha’s thoughts on ultimate truth with the thinking of nearly contemporary Chinese monks.

Gadamerian and Chinese Philosophical Reflections on the Developments of Chung-ying Cheng’s Post-Dialogue Onto-hermeneutic Philosophy

In light of developments in Chung-ying Cheng’s (1935-) onto-hermeneutic philosophy during the years after his dialogue with Hans-Georg Gadamer (1900–2002) took place in Heidelberg in May 2000, I explore several new issues related to Cheng’s understanding of Gadamer’s hermeneutic philosophy. First of all, I argue that Cheng has not addressed the vital concept of the “inner word” in Gadamer’s Truth and Method, and point toward some of its fecund hermeneutic significance, especially with regard to its characterization of Sprache/Language and its dynamics within human understanding. Secondly, I underscore the fact that Cheng (and the majority of other contemporary Chinese philosophers) have not understood the profound impact of Christian philosophical writings in Gadamer’s work, particularly in his claim that Christian ontology offers an alternative to ancient Greek ontologies that are “categorically significant.” Finally, I describe and analyze the development of a new theistic understanding of reality within Cheng’s post-dialogue publications, suggesting ways of critically advancing his claims in the light of Gadamer’s account of the “inner word” and the Christian ontological claims grounded in the logos-theology as presented in the prologue to the Gospel of John.

Terror Capitalism

In Terror Capitalism anthropologist Darren Byler theorizes the contemporary Chinese colonization of the Uyghur Muslim minority group in the northwest autonomous region of Xinjiang. He shows that the mass detention of over one million Uyghurs in “reeducation camps” is part of processes of resource extraction in Uyghur lands that have led to what he calls terror capitalism—a configuration of ethnoracialization, surveillance, and mass detention that in this case promotes settler colonialism. Drawing on ethnographic fieldwork in the regional capital Ürümchi, Byler shows how media infrastructures, the state’s enforcement of “Chinese” cultural values, and the influx of Han Chinese settlers contribute to Uyghur dispossession and their expulsion from the city. He particularly attends to the experiences of young Uyghur men—who are the primary target of state violence—and how they develop masculinities and homosocial friendships to protect themselves against gendered, ethnoracial, and economic violence. By tracing the political and economic stakes of Uyghur colonization, Byler demonstrates that state-directed capitalist dispossession is coconstructed with a colonial relation of domination.

The Making of Minjian: Yi Sha's Poetics and Poetry Activities

<p>This thesis investigates and critiques the notion of minjian through a case study of Yi Sha 伊沙 (b. 1966), a key figure of Chinese minjian poetry since its emergence in the 1990s. The term minjian became a focal point during the Panfeng Polemic in 1999, a most significant event in the history of contemporary Chinese poetry, when minjian was adopted to name one of the rivalling poetry groups and triggered an influential debate that shaped the contour of contemporary Chinese poetry in the ensuing decade. Minjian became a prevailing keyword on the Chinese poetry scene of the 2000s and inspired numerous unofficial poetry groups both in print and online. Though the term was frequently evoked and widely discussed, its connotations remained uncertain. Through my study of Yi Sha’s poetry and poetry activities, I identify two major elements of minjian: colloquial poetics and unofficial stance. Both elements harken back to the classical tradition and had long manifested in contemporary Chinese poetry, yet it was not until the Panfeng Polemic when they were explicitly joined together to defend and define a group that was to be called the minjian poets. Yi Sha rose to prominence after the Panfeng Polemic and became an outstanding representative minjian poet largely responsible for the ‘making’ of minjian into a literary and cultural phenomenon. By combining discourse analysis with a critical biography of the poet, this research demonstrates the complex relationship that minjian poetry has with China’s cultural establishment, the literary avant-garde, and world literature. I argue that Yi Sha’s minjian is both a political stance and an aesthetic choice, with broad cultural and ideological repercussions; understanding the concept of minjian is imperative to the understanding of contemporary Chinese poetry.</p>

The Making of Minjian: Yi Sha's Poetics and Poetry Activities

<p>This thesis investigates and critiques the notion of minjian through a case study of Yi Sha 伊沙 (b. 1966), a key figure of Chinese minjian poetry since its emergence in the 1990s. The term minjian became a focal point during the Panfeng Polemic in 1999, a most significant event in the history of contemporary Chinese poetry, when minjian was adopted to name one of the rivalling poetry groups and triggered an influential debate that shaped the contour of contemporary Chinese poetry in the ensuing decade. Minjian became a prevailing keyword on the Chinese poetry scene of the 2000s and inspired numerous unofficial poetry groups both in print and online. Though the term was frequently evoked and widely discussed, its connotations remained uncertain. Through my study of Yi Sha’s poetry and poetry activities, I identify two major elements of minjian: colloquial poetics and unofficial stance. Both elements harken back to the classical tradition and had long manifested in contemporary Chinese poetry, yet it was not until the Panfeng Polemic when they were explicitly joined together to defend and define a group that was to be called the minjian poets. Yi Sha rose to prominence after the Panfeng Polemic and became an outstanding representative minjian poet largely responsible for the ‘making’ of minjian into a literary and cultural phenomenon. By combining discourse analysis with a critical biography of the poet, this research demonstrates the complex relationship that minjian poetry has with China’s cultural establishment, the literary avant-garde, and world literature. I argue that Yi Sha’s minjian is both a political stance and an aesthetic choice, with broad cultural and ideological repercussions; understanding the concept of minjian is imperative to the understanding of contemporary Chinese poetry.</p>