Despite or Due to the Cultural Revolution: The Development of Chinese Science, Technology, and Medicine in the 1960s and 1970s

Endeavour ◽  
2017 ◽  
Vol 41 (3) ◽  
pp. 78-84
Author(s):  
Danian Hu
Keyword(s):  
Cultural Revolution ◽  
Chinese Science ◽  
Science Technology ◽  
1960S And 1970S ◽  
The 1960S ◽  
The Cultural Revolution

Cultural revolution

The Athenaeum ◽  
2020 ◽  
pp. 270-295
Author(s):  
Michael Wheeler
Keyword(s):  
Cultural Revolution ◽  
Public Discourse ◽  
Financial Difficulties ◽  
The 1950S ◽  
1960S And 1970S ◽  
The 1960S ◽  
The Cultural Revolution

This chapter examines the Athenæum during the period from the mid-1950s to the mid-1980s. While enjoying affectionate teasing by cartoonists, the club tended to stand upon its dignity in the 1950s. Although some aspects of the 'cultural revolution' that so disturbed Richard Cowell at the time created divisions among the membership, others suited the club in the long term, allowing it not only to survive but also to position itself for the process of reinvention that was to take place in later decades. During the 1960s and 1970s, life at the club carried on much as before, in spite of recurrent financial difficulties. The decorous tradition of 'lunch at the Athenæum' had become proverbial in public discourse, as published novels, memoirs, and diaries recorded conversations there in which bonds of friendship were strengthened, or matters of state and church quietly arranged in private.

Becoming militant: embodying the Guinean revolution and Guinea–China relations

Africa ◽  
2020 ◽  
Vol 90 (4) ◽  
pp. 721-745
Author(s):  
Nomi Dave
Keyword(s):  
Cultural Revolution ◽  
The Body ◽  
Embodied Experience ◽  
Dance Movement ◽  
Republic Of Guinea ◽  
The Republic ◽  
1960S And 1970S ◽  
Revolutionary Ideology ◽  
The 1960S ◽  
The Moment

AbstractThis article considers the role of embodied experience in promoting revolutionary ideology in Guinea. The Republic of Guinea has long held close ties with China, and in the 1960s and 1970s the country pursued its own Cultural Revolution. While Chinese songs and aesthetics had little direct artistic influence, the Guinean state embraced Maoist ideals of social and self-transformation and discipline. Such ideals were translated into daily life through the regulation of bodies, including practices of dance, movement and physical gesture that sought to create revolutionary subjects. I show here how embodied practices, including the circulation of dancers and official delegations, cultivated Guinea's relationship with China; and how practices of movement and dance were inwardly experienced within Guinea during its own Cultural Revolution. In so doing, I address some of the contradictions of the Revolution and of Guinea–China relations. While the regime pursued its goals through violence and brutality, former revolutionary subjects today remember the moment for both its pain and its pleasures – for the hardships the body had to endure and for the nationalist pride that many still feel today.

The Chinese Communist Party in the 1960s: Prelude to the Cultural Revolution

1967 ◽  
Vol 32 ◽  
pp. 3-36 ◽  
Author(s):  
Charles Neuhauser
Keyword(s):  
Communist Party ◽  
Cultural Revolution ◽  
Chinese Communist Party ◽  
Commedia Dell'arte ◽  
Great Leap ◽  
Great Leap Forward ◽  
The Chinese Communist Party ◽  
The 1960S ◽  
The Great Leap Forward ◽  
The Cultural Revolution

The recent events in China are surely drama of the highest order, but at times it has seemed that the actors themselves were not entirely sure who was writing the lines. In fact what we seem to be witnessing is a form of commedia dell'arte: improvisation within a certain tacitly understood framework. The cultural revolution appears to have taken new turns and to have broken into new channels precisely because the actors have been faced with new and unforeseen circumstances as it has run its course. No faction in the struggle has been able to impose its will on the Party or the country by fiat; new devices and stratagems have been brought into play in what has looked like desperate attempts to gain the upper hand. It has clearly been a battle of the utmost seriousness, but there appear to have been limitations on the resultant chaos. Economic disorganisation does not seem to have occurred on the scale of the later stages of the Great Leap Forward. Nor, despite the clashes, confusion and bitter infighting, have new centres of power, totally divorced from the Chinese Communist Party (CCP) itself, arisen. The cultural revolution has been pre-eminently a struggle within the Party.

The Chinese Cultural Revolution and the Decline of the Left in Singapore

2011 ◽  
Vol 7 (2) ◽  
pp. 211-246 ◽  
Author(s):  
Yinghong Cheng
Keyword(s):  
Cultural Revolution ◽  
Chinese Politics ◽  
Overseas Chinese ◽  
Political Opposition ◽  
Ethnic Chinese ◽  
Strength Based ◽  
Chinese Cultural Revolution ◽  
The 1960S ◽  
The Cultural Revolution

Abstract Represented by the Barisan party and mainly participated in by ethnic Chinese, the leftist movement in Singapore was the thrust behind the island’s independence (1965) and the major political opposition to the ruling PAP (People’s Action Party). But within several years after independence, the movement disappeared as the PAP’s one-party regime grew in strength. Based on the leftist publications of that period, this article argues that Maoist China’s influence, the Cultural Revolution in particular, significantly contributed to the decline of the movement. The radicalization and dissolution of Singapore’s leftist movement was one example of the destructive impact of Maoism and the Cultural Revolution on overseas Chinese politics in the 1960s.

scholarly journals The Cultural Revolution and Its Legacies in International Perspective

2016 ◽  
Vol 227 ◽  
pp. 632-652 ◽  
Author(s):  
Julia Lovell
Keyword(s):  
United States ◽  
Civil Rights ◽  
Cultural Revolution ◽  
Western Europe ◽  
The United States ◽  
International Perspective ◽  
Party Building ◽  
1960S And 1970S ◽  
The Right ◽  
The Cultural Revolution

AbstractThis article explores the rhetoric and reality of the Cultural Revolution as an international phenomenon, examining (through published and oral histories) the ways in which it was perceived and interpreted beyond China. It focuses in particular on the diverse impact of Maoist ideas and practice on the counterculture movement of Western Europe and North America during the late 1960s and 1970s. Within Europe, Cultural Revolution Maoism galvanized Dadaist student protest, nurtured feminist and gay rights activism, and legitimized urban guerrilla terrorism. In the United States, meanwhile, it bolstered a broad programme of anti-racist civil rights campaigns and narrow Marxist-Leninist party-building. Despite Mao's hopes to launch a global permanent revolution, it appears that, over the long term, enthusiasm for the Cultural Revolution in Western Europe, the United States and parts of South-East Asia helped to splinter the radical left and assisted the right in consolidating its power throughout the 1980s and beyond.

The Third Front: Defence Industrialization in the Chinese Interior

1988 ◽  
Vol 115 ◽  
pp. 351-386 ◽  
Author(s):  
Barry Naughton
Keyword(s):  
Cultural Revolution ◽  
Large Scale ◽  
Negative Impact ◽  
Political Conflict ◽  
Western China ◽  
Small Scale ◽  
The Third ◽  
National Leaders ◽  
1960S And 1970S ◽  
The Cultural Revolution

Between 1964 and 1971 China carried out a massive programme of investment in the remote regions of south-western and western China. This development programme – called “the Third Front” – envisaged the creation of a huge self-sufficient industrial base area to serve as a strategic reserve in the event of China being drawn into war. Reflecting its primarily military orientation, the programme was considered top secret for many years; recent Chinese articles have discussed the huge costs and legacy of problems associated with the programme, but these discussions have been oblique and anecdotal, and no systematic appraisal has ever been published.2 Since Chinese analysts have avoided discussion of the Third Front, western accounts of China's development have also given it inadequate emphasis, and it has not been incorporated into our understanding of China during the 1960s and 1970s. It is common to assume that the “Cultural Revolution decade” was dominated by domestic political conflict, and characterized by an economic system made dysfunctional by excessive politicization, fragmented control, and an emphasis on small-scale locally self-sufficient development. The Third Front, however, was a purposive, large-scale, centrally-directed programme of development carried out in response to a perceived external threat with the broad support of China's national leaders. Moreover, this programme was immensely costly, having a negative impact on China's economic development that was certainly more far-reaching than the disruption of the Cultural Revolution.

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