Haunting Perennial Girlhoods: Infantilization and the Transnational American Gothic from Gilman to Césaire

2022 ◽  
Vol 117 (1) ◽  
pp. 1-27
Author(s):  
Suzanne Manizza Roszak
Keyword(s):  
Author(s):  
Joel Faflak

This Companion surveys the traditions and conventions of the dark side of American culture - its repressed memories, its anxieties and panics, its fears and horrors, its obsessions and paranoias. Featuring new critical essays by established and emerging academics from a range of national backgrounds, this collection offers new discussions and analyses of canonical and lesser-known literary and other works. Its scope ranges from the earliest manifestations of American Gothic traditions in frontier narratives and colonial myths, to its recent responses to contemporary global events. Moving from analyses of eighteenth-century literature to twenty-first century video games, and touching upon visual art, film, and television, serial killers, monsters, education and cityscapes, this Companion aims to demonstrate the centrality of the gothic to American culture writ large through four key sections: Gothic Histories, Gothic Identities; Gothic Genres, Gothic Sites; Gothic Media; and American Creatures.


2016 ◽  
Vol 51 (2) ◽  
pp. 535-552
Author(s):  
STEFAN SCHÖBERLEIN

This essay examines an underexplored aspect of Charles Brockden Brown's Wieland – namely its German–Indian context – and reads it through the story's main plot device: ventriloquism. Using some of Brown's manuscripts as well as journalistic pieces, the essay brings together the more puzzling aspects of this central US American gothic tale into a study of colonial violence and transplanted voices. Following Sarah Rivett's recent claim of a “spectral presence of American Indians” in the story, this essay argues for a rereading of the character of the “bioloquist” that brings to the surface a deep history of the dispossession of Native peoples (especially the Lenape) carefully interwoven into the novel's subtext.


Author(s):  
Julia M. Wright

Examining works from the full history of American television, this chapter focuses on three aspects of American gothic television: first, the entwined relationship between realism and the gothic in early television; second, the focus of gothic series on probable characters in improbable situations; and, finally, the division of gothic television into conventional dramatic domestic and workplace forms, and their challenge to that dramatic division.


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