Speaking in Tongues, Speaking without Tongues: Transplanted Voices in Charles Brockden Brown's Wieland
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This essay examines an underexplored aspect of Charles Brockden Brown's Wieland – namely its German–Indian context – and reads it through the story's main plot device: ventriloquism. Using some of Brown's manuscripts as well as journalistic pieces, the essay brings together the more puzzling aspects of this central US American gothic tale into a study of colonial violence and transplanted voices. Following Sarah Rivett's recent claim of a “spectral presence of American Indians” in the story, this essay argues for a rereading of the character of the “bioloquist” that brings to the surface a deep history of the dispossession of Native peoples (especially the Lenape) carefully interwoven into the novel's subtext.
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1959 ◽
Vol 16
(1)
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pp. 98-99
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1974 ◽
Vol 8
(2)
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pp. 247-259
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