Featuring Monica Zetterlund: Jazz in early Swedish television

2021 ◽  
Vol 11 (3) ◽  
pp. 307-316 ◽  
Author(s):  
Tytti Soila
Keyword(s):  
Popular Cinema

Following Miriam Hansen’s writings about the popular cinema, this study presents a hypothesis that the new medium of television in 1960s Sweden may be a form of ‘cultural horizon’ that enables multiple understandings and thus contributes to the popularity of the medium. The study focuses on a number of programmes where one of the most popular Swedish artists of the period, the jazz singer Monica Zetterlund, appears in performance. When these programmes are juxtaposed, contradictory features emerge that I suggest are pieces of a cultural horizon described by Hansen – high/low, modern/traditional and international/vernacular – that contributed to the evolution of Swedish television.

scholarly journals Bastards, brothers, and unjust warriors: Enmity and ethics in Just War Cinema

2016 ◽  
Vol 43 (1) ◽  
pp. 73-94 ◽  
Author(s):  
Christopher J. Finlay
Keyword(s):  
Cold War ◽  
Just War ◽  
Just War Theory ◽  
Second World War ◽  
Public Understanding ◽  
World War ◽  
Close Attention ◽  
Popular Cinema ◽  
The Relationship ◽  
Second World

AbstractHow do members of the general public come to regard some uses of violence as legitimate and others as illegitimate? And how do they learn to use widely recognised normative principles in doing so such as those encapsulated in the laws of war and debated by just war theorists? This article argues that popular cinema is likely to be a major source of influence especially through a subgenre that I call ‘Just War Cinema’. Since the 1950s, many films have addressed the moral drama at the centre of contemporary Just War Theory through the figure of the enemy in the Second World War, offering often explicit and sophisticated treatments of the relationship between thejus ad bellumand thejus in bellothat anticipate or echo the arguments of philosophers. But whereas Cold War-era films may have supported Just War Theory’s ambitions to shape public understanding, a strongly revisionary tendency in Just War Cinema since the late 1990s is just as likely to thwart them. The potential of Just War Cinema to vitiate efforts to shape wider attitudes is a matter that both moral philosophers and those concerned with disseminating the law of war ought to pay close attention to.

Review: Celluloid Sisters: Women and Popular Cinema by Janet Thumin

1993 ◽  
Vol 46 (4) ◽  
pp. 33-34
Author(s):  
Patricia Brett Erens
Keyword(s):  
Popular Cinema
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