Trash or Treasure? Images of the Hardscrabble South in Twenty-First-Century Film

2016 ◽  
Author(s):  
Richard Gaughran
Keyword(s):  
American South ◽  
First Century ◽  
George Washington ◽  
Gone With The Wind ◽  
White Trash ◽  
History Of ◽  
Twenty First Century ◽  
The American South

This chapter focuses on twenty-first-century films that depict the hardscrabble South. Divisive images of the American South have appeared throughout the history of film, for example, in D. W. Griffith's The Birth of a Nation (1915) or in Victor Fleming's Gone with the Wind (1939). However, there have also been benign, even sympathetic films on poor southerners, including Jean Renoir's The Southerner (1945) and Debra Granik's 2010 adaptation of Daniel Woodrell's Winter's Bone (2006). This chapter discusses films that portray the Rough South, such as George Washington (2000), Shotgun Stories (2007), and That Evening Sun (2009). The trend outlined by these and other filmmakers suggests that a conscious revision is underway: an attempt to bring the rough characters to the fore, to reexamine the conditions that give rise to “redneck,” “hillbilly,” and “white trash” stereotypes.

History of Recording Demotic Epigraphy

2020 ◽  
pp. 491-507
Author(s):  
Jan Moje
Keyword(s):  
Nineteenth Century ◽  
Seventh Century ◽  
First Century ◽  
Third Century ◽  
Late Period ◽  
Greco Roman ◽  
Rosetta Stone ◽  
Roman Egypt ◽  
History Of ◽  
Twenty First Century

This chapter gives an overview of the history of recording and publishing epigraphic sources in Demotic language and script from the Late Period to Greco-Roman Egypt (seventh century bce to third century ce), for example, on stelae, offering tables, coffins, or votive gifts. The history of editing such texts and objects spans over two hundred years. Here, the important steps and pioneering publications on Demotic epigraphy are examined. They start from the beginning of the nineteenth century, when Napoleon’s expedition to Egypt found the Rosetta stone, until the twenty-first century.

History of Warships from Ancient Times to the Twenty-First Century

1999 ◽  
Vol 63 (3) ◽  
pp. 712
Author(s):  
Clark G. Reynolds ◽  
James L. George
Keyword(s):  
First Century ◽  
History Of ◽  
Ancient Times ◽  
Twenty First Century

Random Pandemic Perambulations: A Brief History of Literary Walks in the Age of Corona

2021 ◽  
Vol 18 (2-3) ◽  
pp. 187-207
Author(s):  
Peter Arnds
Keyword(s):  
Nineteenth Century ◽  
First Century ◽  
History Of ◽  
Oriented Movement ◽  
Twenty First Century

This article focuses on the concept of randomness as the absence of goal-oriented movement in literary walks. The literature of walking displays the happenstance of adventure as one of the great antidotes to our inane, highly technologized, digitalized twenty-first-century lifestyle. In the end, however, such randomness may reveal itself as not so random after all, as the purpose of the journey, its inherent telos, discloses itself while travelling or in hindsight. This article provides brief glimpses into the history of literary walks to examine this tension between apparent randomness and the non-random. By drawing on a range of cultural theories and theorizations of travel and especially of walking, I look at literary foot travel in the nineteenth century, the Romantics and American Transcendentalists, some great adventure hikes in the twentieth and twenty-first centuries, and the urban and rural flâneur. In doing so the article does not lose sight of the question of how we can instrumentalize the literature of walking for life during the current pandemic.

scholarly journals Relationship between international law and religion

Globus ◽  
2020 ◽  
Author(s):  
H. Mammadov ◽  
◽  
Zh. Mammadova ◽  
Keyword(s):  
International Relations ◽  
International Law ◽  
Detailed Analysis ◽  
Mutual Influence ◽  
First Century ◽  
Basic Principles ◽  
History Of ◽  
Twenty First Century ◽  
History Of International Law

This article is devoted to the problems of mutual influence and interaction of international law and religion. In particular, it examines the development of international law and the sources of religion. In addition, which areas of international law are most developed under the influence of religious provisions. The history of international law knows various theories under which international law has improved. The article provides a detailed analysis of these theories and views, noting the institutions of international law that arose directly under the influence of religion. For example, it is noted that under the influence of Relia, the UN Charter codifies the basic principles of international law, etc. In addition, it shows the challenges of religion to international law and relations in the era of globalization in the twenty-first century, which led even to the undermining of modern international relations and traditional religious concepts caused by the " return of religion” in international relations; secondly, it presents and discusses the research path of religion and international relations. Finally, a brief analysis of the 2 impact of the global revival of religion and the ”return of religion" in international law and international relations has been carried out

scholarly journals Exotic Otherlands, Headquarters of Death: Sub-tropical Land- and Cityscapes in The Southern Vampire Mysteries

2017 ◽  
Vol 16 (1) ◽  
Author(s):  
Agnieszka Stasiewicz-Bieńkowska
Keyword(s):  
New Orleans ◽  
American South ◽  
The Other ◽  
Southern United States ◽  
The Uncanny ◽  
True Blood ◽  
History Of ◽  
The American South ◽  
Interspecies Relations ◽  
Racial Ethnic

The landscapes and cityscapes of the sub-tropical Southern United States, with their opulent nature, exuberant cities, boisterous cultural diversity and troubled history of conflict and violence have long offered an alluring locale for Gothic narratives. This article explores the ways in which <em>The Southern Vampire Mysteries</em> (2001–2013) – the best-selling literary series by Charlaine Harris and the basis for the HBO TV series <em>True Blood</em> – construct the Gothicised imageries of the American South as the terrain of confusing ambivalences; of glamour and exoticism, death and the uncanny. Informed by the discourses of tropicality, Tropical and Urban Gothic and exotic tourism – and the ways they interweave with the concept of Otherness – the paper seeks to illuminate the process of interrelating and consequently exoticising the figure of the Other and Southern sub-tropical land- and cityscapes. It also examines the tropes of urban interspecies relations articulated in the series as a metaphor for the Southern racial/ethnic heritage with its anxieties of miscegenation, transgression and “excessive” heterogeneity. A particular emphasis is placed on the accounts of New Orleans as the liminal space of cultural blending and touristic exploration of the figure of the Other.

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