2 The End of History and Film Narrative

2021 ◽  
pp. 61-85
Derrida Today ◽  
2020 ◽  
Vol 13 (1) ◽  
pp. 33-47
Author(s):  
Anne Alombert

The aim of this paper is to question the significance of Derrida's deconstruction of the concepts of subject and history. While ‘postmodernity’ tends to be characterized by philosophical critique as the ‘liquidation of the subject’ or the ‘end of history’, I attempt to show that Derrida's deconstruction of ‘subjectivity’ and ‘historicity’ is not an elimination or destruction of these concepts, but an attempt to transform them in order to free them from their metaphysical-teleological presuppositions. This paper argues that this transformation, which begins in Derrida's and continues in Stiegler's texts, leads to the notions of ‘psycho-social individuation’ and ‘doubly epokhal redoubling’. I maintain that such notions ‘supplement’ the metaphysical concepts of subject and history by forcing a reconsideration of the technical conditions of psychic individuation and the technological conditions of ‘epochality’.


2008 ◽  
Vol 30 (4) ◽  
pp. 9-27 ◽  
Author(s):  
Cary Carson

Abstract Are historic sites and house museums destined to go the way of Oldsmobiles and floppy disks?? Visitation has trended downwards for thirty years. Theories abound, but no one really knows why. To launch a discussion of the problem in the pages of The Public Historian, Cary Carson cautions against the pessimistic view that the past is simply passéé. Instead he offers a ““Plan B”” that takes account of the new way that learners today organize information to make history meaningful.


Author(s):  
Will Kynes

The introduction sets this study in the context of the three recent critical approaches it combines: (1) “metacritical” studies of biblical criticism that identify and critically analyze the “historically effected consciousness” that inspired a particular approach to biblical interpretation; (2) “biographies” of texts that examine their origins and effects; and (3) “end- of” books, which, following the lead of Fukuyama’s “The End of History?” (1989), argue, among other things, that old concepts may fade away as perceptions change. The role of genre methodology in perpetuating the Wisdom Literature category and now in challenging it is introduced. Finally, terminological distinctions are made between the Wisdom Literature category and Wisdom as a genre, the Wisdom Schools associated with it, and wisdom as a concept.


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