“Tradition as Adventure”: Black Music, New Afro- Descendant Subjects, and Pluralization of Modernity in Salvador da Bahia

1973 ◽  
Vol 26 (3) ◽  
pp. 383-404
Author(s):  
Robert Stevenson
Keyword(s):  

1971 ◽  
Vol 77 (2) ◽  
pp. 390-392
Author(s):  
Gary Schwartz
Keyword(s):  

2018 ◽  
Vol 15 (02) ◽  
pp. 353-385
Author(s):  
Lakeyta M. Bonnette-Bailey ◽  
Ray Block ◽  
Harwood K. McClerking

AbstractDespite a recent increase in research on its sociopolitical implications, many questions regarding rap music’s influence on mass-level participation remain unanswered. We consider the possibility that “imagining a better world” (measured here as the degree to which young African Americans are critical of the music’s negative messages) can correlate with a desire to “build a better world” (operationalized as an individual’s level of political participation). Evidence from the Black Youth Project (BYP)’s Youth Culture Survey (Cohen 2005) demonstrates that rap critique exerts a conditional impact on non-voting forms of activism. Rap critique enhances heavy consumers’ civic engagement, but this relationship does not occur among Blacks who consume the music infrequently. By demonstrating rap’s politicizing power and contradicting certain criticisms of Hip Hop culture, our research celebrates the possibilities of Black youth and Black music.


Notes ◽  
1982 ◽  
Vol 38 (4) ◽  
pp. 832
Author(s):  
Deane L. Root ◽  
Dominique-Rene deLerma ◽  
JoAnn Skowronski ◽  
Janet L. Sims ◽  
Neda M. Westlake ◽  
...  

1984 ◽  
Vol 2 (2) ◽  
pp. 103
Author(s):  
Sam Dennison ◽  
Dominique-Rene de Lerma

1983 ◽  
Vol 3 ◽  
pp. 46
Author(s):  
Samuel A. Floyd
Keyword(s):  

Music and Man ◽  
1974 ◽  
Vol 1 (3) ◽  
pp. 225-237
Author(s):  
Dominique‐René De Lerma
Keyword(s):  

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