11 The Sacramental Vision of Gerard Manley Hopkins

2020 ◽  
pp. 210-225
Author(s):  
J. Robert Barth
Keyword(s):  
Gerard Manley Hopkins ◽  
Sacramental Vision

Gerard Manley Hopkins and the Spell of John Duns Scotus

2015 ◽  
Author(s):  
John Llewelyn
Keyword(s):  
Nineteenth Century ◽  
John Duns Scotus ◽  
Gerard Manley Hopkins ◽  
Duns Scotus ◽  
Formal Distinction

The Early Mediaeval Scottish philosopher and theologian John Duns Scotus shook traditional doctrines of logical universality and logical particularity by arguing for a metaphysics of ‘formal distinction’. Why did the Nineteenth Century poet and self-styled philosopher Gerard Manley Hopkins find this revolutionary teaching so appealing? John Llewelyn answers this question by casting light on various neologisms introduced by Hopkins and reveals how Hopkins endorses Scotus’s claim that being and existence are grounded in doing and willing. Drawing on modern respon ses to Scotus made by Heidegger, Peirce, Arendt, Leibniz, Hume, Reid, Derrida and Deleuze, Llewelyn’s own response shows by way of bonus why it would be a pity to suppose that the rewards of reading Scotus and Hopkins are available only to those who share their theological presuppositions

Hard Objects in George Oppen's Discrete Series

2018 ◽  
Vol 13 (4) ◽  
pp. 496-517
Author(s):  
Ned Hercock
Keyword(s):  
Twentieth Century ◽  
Ludwig Wittgenstein ◽  
Discrete Series ◽  
Human Experience ◽  
John Ruskin ◽  
Gerard Manley Hopkins ◽  
Marcel Duchamp ◽  
The World ◽  
Production History ◽  
History Of

This essay examines the objects in George Oppen's Discrete Series (1934). It considers their primary property to be their hardness – many of them have distinctively uniform and impenetrable surfaces. This hardness and uniformity is contrasted with 19th century organicism (Gerard Manley Hopkins and John Ruskin). Taking my cue from Kirsten Blythe Painter I show how in their work with hard objects these poems participate within a wider cultural and philosophical turn towards hardness in the early twentieth century (Marcel Duchamp, Adolf Loos, Ludwig Wittgenstein and others). I describe the thinking these poems do with regard to industrialization and to human experience of a resolutely object world – I argue that the presentation of these objects bears witness to the production history of the type of objects which in this era are becoming preponderant in parts of the world. Finally, I suggest that the objects’ impenetrability offers a kind of anti-aesthetic relief: perception without conception. If ‘philosophy recognizes the Concept in everything’ it is still possible, these poems show, to experience resistance to this imperious process of conceptualization. Within thinking objects (poems) these are objects which do not think.

Gerard Manley Hopkins

2020 ◽  
Vol 58 (3) ◽  
pp. 350-361
Author(s):  
Adrian Grafe
Keyword(s):  
Gerard Manley Hopkins

Predestination and Freedom in Augustine's Ethics

1989 ◽  
Vol 25 ◽  
pp. 85-97
Author(s):  
Gerard O'Daly
Keyword(s):  
Gerard Manley Hopkins ◽  
The Way

In his great poem The Wreck of the Deutschland Gerard Manley Hopkins evokes the conversions of Paul and Augustine as two contrasting examples of the way in which God may intervene in human affairs:With an anvil-dingAnd with fire in him forge thy willOr rather, rather then, stealing as SpringThrough him, melt him but master him still:Whether at once, as once at a crash Paul,Or as Austin, a lingering-out sweet skill…

The Shaping Vision of Gerard Manley Hopkins

1960 ◽  
Vol 12 (2) ◽  
pp. 172
Author(s):  
Carlisle Moore ◽  
Alan Heuser
Keyword(s):  
Gerard Manley Hopkins
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