The Theology of Struggle

This article explores writing and scholarship on the theology of struggle developed by Protestants and Catholics in the Philippines during the 1970s-90s. Its focus is on popular writing—including pamphlets, liturgical resources, newsletters, magazines, newspaper articles, conference briefings, songs, popular education and workshop modules, and recorded talks—as well as scholarly arguments that articulate the biblical, theological, and ethical components of the theology of struggle as understood by Christians who were immersed in Philippine people’s movements for sovereignty and democracy. These materials were produced by Christians who were directly involved in the everyday struggles of the poor. At the same time, the theology of struggle also projects a “sacramental” vision and collective commitment towards a new social order where the suffering of the masses is met with eschatological, proleptic justice—the new heaven and the new earth, where old things have passed away and the new creation has come. It is within the struggle against those who deal unjustly that spirituality becomes a “sacrament”—a point and a place in time where God is encountered and where God’s redeeming love and grace for the world is experienced.

The Invention of Clutter and the New Spiritual Discipline of Decluttering

This essay argues that the popular global decluttering movement epitomized in Marie Kondo is a new spiritual discipline tailored to a particular cultural moment in which members of affluent societies, especially women, are caught between the shame of displaying too much “stuff” at home and the guilt of discarding it. After suggesting reasons for the movement’s neglect by theologians, the essay offers a brief history of the “invention of clutter.” Through this history, the essay frames decluttering as an expression of “makeover culture” that posits a timeless aesthetic self. Decluttering functions as a spiritual practice of late consumer capitalism that converts its followers to a disposition of detachment through procedures that mirror Christian conversion. While appreciating the attention the movement shows to women’s domestic lives and to material things, the essay offers a theological critique of the movement’s construction of an aesthetic self who is absolved of guilt by escaping time and the ecological web into private, timeless space. The essay commends instead a narrative, ecological self whose engagement with material things reflects a sacramental vision that issues in virtues like frugality.

The One Sane Milkman, I Fear

In his lifelong wrestle with what he called his “frenemy” God, John Berryman continually turned to the influence of Gerard Manley Hopkins’s sacramental vision. Amidst his struggles with depression, alcoholism, and self-doubt, Berryman looked to Hopkins as a model for how to express, and how to embrace, difficult belief. A close reading of Berryman’s “Dream Song 377,” a poem that takes Hopkins as a subject and evokes one of his sermons, shows not only that Berryman adopted versions of Hopkins’s stanzaic and stress patterns, but also that he, along with Henry, his poetic alter ego in the Dream Songs, shared with Hopkins a hunger for a still center.

Sacramental Vision in Annie Dillard’s Holy the Firm

In this article I explore the central motif of vision in Annie Dillard’s short poetic narrative, Holy the Firm. Attention to the book’s tripartite structure reveals a movement through an aesthetic appreciation of creation, to an intellectual contemplation of the Fall, finally culminating in a mystical vision of wholeness in the redemptive descent of Christ. I turn to Julian of Norwich’s parable of the Lord and Servant in order to illuminate their shared attunement to the workings of divine love in the face of human suffering. For Dillard, Christ’s kenotic love is continually revealed in the Christian sacraments of baptism and communion. Finally, I suggest that through the artist, the thinker, and the nun, Dillard leads her reader toward a sacramental vision of the world, which locates the holy in the everyday.