The first purpose of this paper is to review the question of just what sources Conrad Ferdinand Meyer used in writing Der Heilige; the second and more important aim is to interpret in some detail Meyer's use of his material, to show how he adapted it to his purposes and added to it from his creative imagination. Both matters have been discussed by students of Meyer, but usually incidentally, sometimes under mistaken impressions, and never comprehensively. Before proceeding with the actual investigation, it will perhaps serve the purpose of clarity to state my conception of Meyer's purpose in writing the Novelle: it was not primarily to retell or to vivify history, nor to glorify a saint; it was rather to narrate an “unerhörte Begebenheit.” To be sure, Der Heilige is a historical Novelle, but so far as history was concerned Meyer's chief solicitude was to give a vivid background for the characters and events presented, and at the same time to avoid disturbing unduly the preconceived notions of readers with some knowledge of twelfth-century England. This attitude of Meyer's, which he held in general toward history as fictional material, permits many significant deviations from history—deviations which are made for specific artistic purposes. They therefore merit our particular attention.
Verlagskorrespondenz: Conrad Ferdinand Meyer, Betsy Meyer – Hermann Haessel mit zugehörigen Briefwechseln und Verlagsdokumenten