The Topos of Martyrdom as a Memory Box The Book of Martyrs by John Foxe and the Fresco Cycle at San Tomaso di Canterbury

2014 ◽  
pp. 55-78
Author(s):  
Kristina Müller-Bongard
Keyword(s):  
1982 ◽  
Vol 18 ◽  
pp. 309-317 ◽  
Author(s):  
Anthony Fletcher

Their sense of national identity is not something that men have been in the habit of directly recording. Its strength or weakness, in relation to commitment to international causes or to localist sentiment, can often only be inferred by examining political and religious attitudes and personal behaviour. So far as the early modern period is concerned, the subject is hazardous because groups and individuals must have varied enormously in the extent to which national identity meant something to them or influenced their lives. The temptation to generalise must be resisted. It is all too easy to suppose that national identity became well established in England in the Tudor century, when a national culture, based on widespread literacy among gentry, yeomen and townsmen, flowered as it had never done before, when the bible was first generally available in English, when John Foxe produced his celebrated Acts and Monuments, better known as the Book of Martyrs. Recent work reassessing the significance of Foxe’s account of the English reformation and other Elizabethan polemical writings provdes a convenient starting point for this brief investigation of some of the connections between religious zeal and national consciousness between 1558 and 1642.


1989 ◽  
Vol 39 ◽  
pp. 85-106 ◽  
Author(s):  
Richard Rex

SINCE the days of John Foxe, ecclesiastical historians of the 1520s have concentrated on the Odysseys and Passions of the earliest English Protestants. Their Catholic opponents, with the notable exceptions of John Fisher and Thomas More, have been largely ignored. The object of this essay is to redress the balance by examining the English commitment to orthodoxy in the 1520s, a commitment made primarily by the secular and ecclesiastical authorities, but seconded enthusiastically by the academic community. It aims not to rewrite the entire ecclesiastical history of the decade, but merely to draw attention to an important though neglected element in the story. Nevertheless, it hopes to be a contribution to the reassessment of the English Reformation that has been carried out in much recent research. The essay is primarily an investigation of polemics, rather than of politics or of popular religion. Beginning with Henry VIII's decision early in 1521 to take up the pen personally against Luther, it draws out the connection of this with the promulgation in England of Exsurge Domine, the Papal condemnation of Luther, and suggests a solution to the vexed question of the ‘real’ authorship of Henry's Assertio Septem Sacramentorum. It investigates the continuation of this polemical assault on Luther by English scholars; and examines its international dimension, gathering evidence of the patronage and cooperation extended to Luther's continental opponents by the English authorities. In conclusion it proposes that the strongly orthodox commitment of the English authorities in the 1520s ebbed away only as the pressing needs of the ‘King's Great Matter’ occasioned competing, and ultimately conflicting, intellectual priorities.


2021 ◽  
Vol 25 (4) ◽  
pp. 421-454
Author(s):  
Michal Shalit-Kollender

Abstract Saint Maria Maddalena de’ Pazzi, a Florentine Carmelite nun and mystic, was recognized as a saint in 1669. After her canonization, a church in Florence was renovated and renamed Santa Maria Maddalena de’ Pazzi, and new artworks were commissioned for it. This article will explore in detail a series of ten frescoes on the top section of the walls in the church, part of the renovation. Although these works are part of the saint’s public iconography and depict major narratives of her cult, they have not been studied in depth to date. Though the scenes have meaning to a general Catholic audience, they appeal to different audiences—the Carmelite nuns, the local Florentine population, and the post-Counter Reformation believer—to differing degrees, the scenes with Jesuit undertones aimed particular at the latter group.


Author(s):  
Mark Greengrass

Letter exchange occupies a significant and growing role in the activities of the Protestant Reformers. This chapter offers explanations for its growing significance in the evolution of the Protestant Reformation. It analyses what over a century of investment in editing the correspondence of the magisterial Reformers has achieved. It offers a yearly profile of the surviving editorial correspondence. At the same time, it underlines the limitations of our concentration on the letters of magisterial Reformers by examining the role of letter exchange in the political evolution of the Protestant Reformation in the sixteenth century, and especially in the context of the coalitions at a distance that sustained it. It ends by evoking martyr letters, as found in the martyrologies of John Foxe and Jean Crespin, but also in a devotional context in Hutterite and Anabaptist dissenting traditions.


2003 ◽  
Vol 1 (1) ◽  
pp. **-**
Author(s):  
David Loades
Keyword(s):  

1973 ◽  
Vol 5 (2) ◽  
pp. 116-127 ◽  
Author(s):  
Charles Carlton

On the afternoon of Thursday, the 10th of June 1540, a squad of Yeoman of the Guard burst into the Council Chamber in Westminster Hall, and arrested Thomas Cromwell, Henry VIII's chief minister. They escorted him out through a postern to a boat waiting at Westminster Steps, rowed him down the Thames, and through Traitors' Gate into the Tower of London. Within this gaunt prison Cromwell was held till the early morning of July 28th, when the Yeoman marched him to Tower Hill to be executed for treason, heresy, bribery, and misuse of power. He climbed the scaffold, and addressed the crowd. He had come here to die, he confessed, and not to justify himself. He was a grievous wretch, who sought God's pardon. He had offended the King, and asked the crowd to pray that Henry VIII would forgive him. Finally, Cromwell insisted that he would die a Catholic, and that he had never waivered in a single article of the Catholic faith. Then, after a short prayer commending his soul to the Almighty, Cromwell laid his head on the block, and, as John Foxe records, “patiently suffered the stroke of the axe” swung “by a ragged and butcherly miser [who] very ungodly performed the office.”So died one of England's greatest statesmen—the architect of the Reformation and the Tudor Revolution in Government. Just as his career has been the source of much historical debate, the events of the last seven weeks of his life, from his arrest to his execution, and his scaffold address especially, have been an irritant of contradiction and confusion.


2009 ◽  
Vol 14 (1) ◽  
pp. 11-26
Author(s):  
Mindaugas Paknys

This article investigates the story of St Bruno of Querfurt featured in the fresco cycle in the monastery church of Pažaislis at Kaunas, Lithuania. The frescoes were executed by the Italian artist Michelangelo Palloni in the latter half of the seventeenth century. They are to be found in a corridor linking the church with the monastery: eight of them present the story of the saint and three celebrate his apotheosis. The article examines the causes of the circumstances of the appearance of this cycle in the Camaldolese hermitage, the tradition of the veneration of St Bruno in contemporary Poland-Lithuania as well as a detailed iconography of the frescoes.


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