scholarly journals Archaeology and the built environment of early medieval England

Antiquity ◽  
2019 ◽  
Vol 93 (368) ◽  
pp. 537-539
Author(s):  
Duncan W. Wright
Keyword(s):  
Twentieth Century ◽  
Built Environment ◽  
Medieval England ◽  
Anglo Saxon ◽  
Early Medieval ◽  
Broken Bones ◽  
Literary Sources

The bulk of people we can now be assured, were content with something that hardly deserves a better title than that of a hovel […] in such cabins, with bare head room, amid a filthy litter of broken bones, of food and shattered pottery […] lived the Anglo-Saxons (Leeds 1936: 25–26). This quote from E.T. Leeds, a pioneer of Anglo-Saxon archaeology during the first half of the twentieth century, was inspired by his excavation of settlement remains at Sutton Courtenay, then in Berkshire. Leeds's excavations were actually a breakthrough moment, resulting in the first identification of early medieval settlement structures other than those associated with ecclesiastical sites. In spite of this, the frustration and disappointment with the character and quality of the Sutton Courtenay site are all too apparent in Leeds's assessment. As an expert in Anglo-Saxon artwork, how could he reconcile the skill and craft of fine metalwork, with the ephemeral and impoverished settlement with which he was now dealing? Likewise, where were the great charismatic halls of monumental construction that populated such literary sources as Beowulf? The excavation of the graves of Sutton Hoo, two years after investigations at Sutton Courtney came to a close, served only to amplify the disparity between settlement and burial archaeology—put simply, burials were viewed as richer, grander and far more interesting.

‘He’ll latin-runes tellan in his horror-coat standing’

2021 ◽  
pp. 170-208
Author(s):  
Francesca Brooks
Keyword(s):  
Twentieth Century ◽  
East Coast ◽  
Eighth Century ◽  
Anglo Saxon ◽  
Early Medieval ◽  
Contested Space

Chapter 4 focuses on the area across the east coast of Britain first thought to have been settled by post-Roman migrants, that of the East Anglian and Lincolnshire fenland, and the exploration of this contested space in ‘Angle-Land’. In the part of ‘Angle-Land’ focused on the fen Jones engages in a poetic search for the lost Britons of the early medieval fen by reading the eighth-century Anglo-Latin Vita Sancti Guthlaci Auctore Felice alongside recent archaeological finds from Caistor-by-Norwich. This chapter proposes that this search ultimately questions the extent of the foreignness of the Welsh in this supposedly ‘Anglo-Saxon’ space, allowing Jones to reimagine Guthlac as an Anglo-Welsh saint and to create a new macaronic language for twentieth-century Britain.

Introduction

2021 ◽  
pp. 1-34
Author(s):  
Francesca Brooks
Keyword(s):  
Twentieth Century ◽  
Middle Ages ◽  
Late Modernism ◽  
Anglo Saxon ◽  
Early Medieval ◽  
Early Middle Ages ◽  
History Of ◽  
Central Argument ◽  
Century Poetry ◽  
Changing Attitudes

The Introduction situates David Jones’s work as a poet–artist within the broader currents of high and late modernism, particularly within the context of a tradition of medievalism in twentieth-century poetry. It draws on Alexander Nagel’s conception of the medieval modern to show how Jones approaches the culture and history of the early Middle Ages as a form of live material open to play and adaptation. The Introduction also reframes our understanding of David Jones’s perception of himself as Anglo-Welsh in relation to changing attitudes to early medieval Welsh (Celtic) and English (Anglo-Saxon/Teutonic) history over the course of his lifetime. This discussion introduces the monograph’s central argument: as a poet of the medieval modern, Jones plays with and reworks early medieval English histories, narratives, and artefacts in order to challenge the singularity and exceptionalism of an ‘Anglo-Saxon’ canon.

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