Dictionary of Contemporary Music . John Vinton . The New Oxford History of Music. Vol. X: The Modern Age, 1890-1960 . Martin Cooper .

1976 ◽  
Vol 29 (1) ◽  
pp. 153-156
Author(s):  
Peter S. Odegard
2017 ◽  
Vol 26 (2) ◽  
pp. 385-395 ◽  
Author(s):  
CLARA HUNTER LATHAM

The rapid industrialisation and electrification that characterises the late nineteenth and early twentieth centuries involved the revolutionary and irreversible technologisation of sound. The ability to send sound great distances, through time and space, amplified the instability of sonic presence both inside and outside the body. Sound reproduction technologies such as gramophone and radio emphasise the questionable materiality of sound. Scholarship in the emerging field of sound studies has tended to focus on sound technologies that emerge in this period, promoting the axiom that the ear epitomises modern sensibility. Even before technological developments revolutionised sound, discourses surrounding the ear anticipated the collapse of scientific certainty that marks the modern age. Developments in sound technology can mask the severing of scientific measurement from musical aesthetics that coincided with the age of recording. If the study of sound in modernity has tended to focus on technological changes and bracket aesthetic questions, it is perhaps because the relationships among the science, technology and aesthetics of sound have not yet been adequately parsed.


Nuncius ◽  
2012 ◽  
Vol 27 (2) ◽  
pp. 309-329 ◽  
Author(s):  
Silvia Marinozzi

In the early 1980s a systematic investigation was begun by G. Fornaciari and his staff of a series of mummies from central and southern Italy, and in particular of important Renaissance remains. The study of a substantial number of artificial mummies has shed light on the human embalming techniques connected with the methods and procedures described by medical and non-medical authors in the early modern period. This has made it possible to reconstruct the history of the art of mummification, from the ‘clyster’ techniques to the partial or total evisceration of the corpse, to the intravascular injection of drying and preserving liquors. In addition to the bodies of Aragonese princes and members of the Neapolitan nobility, interred in the Basilica of San Domenico in Naples are the remains of important French personages dating to the modern age. Among the tombs arranged in two parallel rows to the right of the balcony are four sarcophagi containing the bodies of the wife and three children of Jean Antoine Michel Agar, who served as the Minister of Finance of the Kingdom of Naples from 1809 to 1815. The type of wrapping used for the corpses of the children presents strong analogies to those of ancient Egyptian mummies.


2020 ◽  

The twentieth century brought profound and far-reaching changes to education systems globally in response to significant social, economic, and political transformation. This volume draws together work from leading historians of education to present a tapestry of seminal and enduring themes that characterize the many educational developments since 1920. An essential resource for researchers, scholars, and students in history, literature, culture, and education, A Cultural History of Education in the Modern Age presents essays that examine the following key themes of the period: church, religion and morality; knowledge, media and communications; children and childhood; family, community and sociability; learners and learning; teachers and teaching; literacies; and life histories.


2022 ◽  
Vol 9 (1) ◽  
pp. 1-14
Author(s):  
Franco Motta ◽  
Eleonora Rai

Abstract The introduction to this special issue provides some considerations on early modern sanctity as a historical object. It firstly presents the major shifts in the developing idea of sanctity between the late medieval period and the nineteenth century, passing through the early modern construction of sanctity and its cultural, social, and political implications. Secondly, it provides an overview of the main sources that allow historians to retrace early modern sanctity, especially canonization records and hagiographies. Thirdly, it offers an overview of the ingenious role of the Society of Jesus in the construction of early modern sanctity, by highlighting its ability to employ, create, and play with hagiographical models. The main Jesuit models of sanctity are then presented (i.e., the theologian, the missionary, the martyr, the living saint), and an important reflection is reserved for the specific martyrial character of Jesuit sanctity. The introduction assesses the continuity of the Jesuit hagiographical discourse throughout the long history of the order, from the origins to the suppression and restoration.


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