The Magic Flute and the Quatrain

1984 ◽  
Vol 3 (2) ◽  
pp. 157-176
Author(s):  
Malcolm S. Cole
Keyword(s):  
Magic Flute

: The Magic Flute (Trollfojten) . Ingmar Bergman.

1976 ◽  
Vol 30 (1) ◽  
pp. 45-49
Author(s):  
William Moritz
Keyword(s):  
Ingmar Bergman ◽  
Magic Flute

Posthumanist Voices in Literature and Opera

2019 ◽  
pp. 627-651
Author(s):  
Jason R. D'Aoust
Keyword(s):  
Blade Runner ◽  
Artistic Works ◽  
Magic Flute

From a background that critically investigates conceptualizations and understandings of the relations and dialectics between the inner and the outer voice and the discursive implications of the posthumanist appraisal of vocality, Jason D’Aoust examines the “operatic voice” or the vocality of opera as it is practiced and understood in the present period. From a philosophically informed perspective, D’Aoust engages with recent reappraisals of phonocentrism in voice studies, and analyzes artistic works from different genres, comprising opera (Mozart’s The Magic Flute), literature (Dick’s Do Androids Dream of Electric Sheep?), and film (Scott’s Blade Runner), in order to show how opera practitioners, authors, and film-makers use the sonorous imagination to deconstruct the canon.

A New Metaphor for Mozart's Magic Flute

1975 ◽  
Vol 5 (3) ◽  
pp. 229-275 ◽  
Author(s):  
Dorothy Koenigsberger
Keyword(s):  
Magic Flute

THE PLOT OF ‘THE MAGIC FLUTE’

1954 ◽  
Vol XXXV (2) ◽  
pp. 175-181
Author(s):  
EDWARD J. DENT
Keyword(s):  
Magic Flute

The Principle of Patriarchy: The Case of "The Magic Flute"

Signs ◽  
1978 ◽  
Vol 4 (2) ◽  
pp. 337-348 ◽  
Author(s):  
Rose Laub Coser
Keyword(s):  
Magic Flute

The Magic Flute: Auden v. Dent

Tempo ◽  
1958 ◽  
pp. 6-8 ◽  
Author(s):  
Joan Cross
Keyword(s):  
English Version ◽  
National Opera ◽  
Opera House ◽  
Rake's Progress ◽  
Magic Flute

It was surprising to discover that Professor E. J. Dent's English version of The Magic Flute has been in use in this country for thirty-five years or more. His version, made originally for Lilian Baylis's opera at the Old Vic in its semiamateur days, is familiar to all regular opera-goers here, for it has been in constant use since the opening of Sadler's Wells in 1930, and at the Royal Opera House since the establishment of National Opera there. Now, W. H. Auden, the librettist of The Rake's Progress and one of the foremost modern poets, has wandered into the thankless field of opera translation and the English version which comes from his hand and that of his collaborator, Chester Kallman, has already been used in a television performance of The Magic Flute in America on the occasion of the bi-centenary anniversary of Mozart's birth. It was much praised.

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